Clearwater Books

RICHARD ALDINGTON. Last Straws. A story. Hours Press, Paris 1930. First edition, limited to 700 copies, this being number 2 of 200 numbered copies printed on haut Vidalon paper and signed by the author. Tall 8vo. [iii], 61pp. Green cloth with a quasi suede finish.  Cloth a little marked and chafed in places, as often seems to be the case. The corner tips just a little rubbed and with a little light browning to the free endpapers and a little mostly very light spotting throughout. A nice bright copy with what is presumably the original unprinted tissue protector, somewhat nicked and creased. “A bitter story of three Englishmen” (according to publisher Nancy Cunard) with the Great War a heavy presence throughout. This copy apparently from the library of Lord Berners, but without any ownership marks. Kershaw 143. £125

JOHN BANVILLE. The Untouchable. A novel. Picador, London 1997. First edition – this copy signed by the author on the title page. 9vo. 405pp. A fine copy in fine dust wrapper. A roman à clef, told from the point of view of an art historian and double agent, based largely on Anthony Blunt and with thinly disguised supporting appearances from Graham Greene and Louis MacNeice. £50

GEORGE BARKER. In Memory of David Archer. Faber, London 1973. First edition – this copy inscribed by the author on the front endpaper and dated 1979. 8vo. 77pp. Former owner details (the recipient of Barker’s inscription) inkstamped to title page. In fine state with virtually fine price-clipped dust wrapper. Fifty-six poems, many of which are inspired by the memory of David Archer, who’s Parton Street bookshop was a gathering point for young British modernists in the 1930s including Barker, David Gascoyne and Dylan Thomas. £50

JULIAN BARNES. Metroland. Jonathan Cape, London 1980. First edition of the author’s first book – this copy signed on the title page. 8vo. 176pp. Edges lightly spotted and upper board lifting just a fraction. A very good copy in virtually fine dust wrapper, marred by a touch of internally spotting. £300

JULIAN BARNES (writing as ‘Dan Kavanagh’). Putting the Boot In. A novel. Jonathan Cape, London 1985. First edition – this copy signed by the author on the title page. 8vo. 192pp. A touch of tanning to paperstock, else a fine copy in fine price-clipped dust wrapper, with a small yet stubborn price label to the base of the front flap. The author’s sixth novel, and the third issued under his ‘Dan Kavanagh’ pseudonym. £75

JULIAN BARNES. Arthur & George. Jonathan Cape, London 2005. First edition – this copy signed by the author on the title page. 8vo. 360pp. In fine state. No dust wrapper, as issued, but with original vertical wrap-around band to rear board. A fascinating account of the 'Great Wyrley Outrages' and relationship between George Edalji, imprisoned for a crime he did not commit, and Arthur Conan Doyle, who strove for years to clear Edalji’s name and uncover the true culprit. Rightfully short-listed for the Booker Prize. £30

JOHN BETJEMAN. Ghastly Good Taste. Or a Depressing Story of the Rise and Fall of English Architecture. Anthony Blond, London 1970. The revised edition of the author’s second book, with a new sixteen page introduction, An Aesthete’s Apologia, and with Peter Fleetwood-Hesketh’s splendid folding illustration enlarged from forty inches to a scarcely credible nine feet. This copy signed by Betjeman on the front free endpaper. Small 4to. 112pp. Cloth-backed paper-covered boards, lettered in an assortment of fonts. A small bump to the tips of two corners. Very good indeed in lightly soiled and rubbed dust wrapper with a single short closed tear to the base of the rear panel and a small area of sticker residue. Gammond 33B1c. £150

JOHN BETJEMAN. Uncollected Poems. With a foreword by Bevis Hillier. John Murray, London 1982. First edition – this copy signed by the author on the half-title in a somewhat shaky hand. Slim 8vo. 81pp. In fine state with dust wrapper, a little creased at the head of the spine panel and with just a hint of chafing to the tips of two corners.  The publisher’s red spine panel colouring fractionally faded. Twenty-nine poems, mostly gathered from the archives of Columbia University Library, and edited here by Betjeman with the assistance of John Sparrow, and augmented with an interesting fourteen-page foreword by JB’s friend and biographer, Bevis Hillier. £125

ALAN BLEASDALE. Scully. A novel. Hutchinson, London 1975. First edition of Bleasdale’s first book. A presentation copy, inscribed by the author to Dallas Cavell, lead actor in the author’s first state play Fat Harold and the Last 26, which premièred at the Liverpool Playhouse on April Fool’s Day 1975. 8vo. 215pp. Top edge lightly dust soiled and with a narrow strip of tanning to the extreme upper margin of the text leaves. A very good copy in virtually fine pictorial dust wrapper, with a touch of toning to the flaps. A slip of paper detailing the cast and crew of Bleasdale’s stage debut has been pasted to the front free endpaper beneath his inscription. A splendid presentation copy of Bleasdale’s first book, based on stories originally written to entertain his pupils in a secondary modern school where he taught for four years, and later broadcast on BBC Radio Merseyside and the basis for later stage and television plays, and a seven-part television series. £175

WILLIAM BOYD. Brazzaville Beach. A novel. Sinclair-Stevenson, London, 1990. First edition - this copy signed by the author on the title page. 8vo. 314pp. A hint of wear to head of spine, else a fine copy in dust wrapper, very lightly rubbed at the head of the spine panel and with several short superficial creases. The author’s sixth book. £25

PETER CAREY. Illywhacker. Faber, London 1985. First English edition – this copy inscribed by the author on the title page. A hint of spotting to top and fore edge, else in fine state with virtually fine dust wrapper, just fractionally rubbed at head and base of spine panel and lightly spotted internally. Carey’s second novel, short-listed for the Booker Prize. £35

J.L.CARR. A Month in the Country. Cornucopia Press, London 1990. The second edition of Carr’s classic, with a slightly revised text and a new foreword by the author. Issue in a limitation of 300 numbered copies signed by the author and by Ronald Blythe who provides an introduction. Printed on mould-made paper by The September Press. Crown 4to. 105pp. Top edge gilt. Former owner gift inscription to half-title, else a fine copy in the original unprinted acetate protector, just a little nicked at the head of the spine panel. £350

JUNG CHANG. Wild Swans. Three Daughters of China. HarperCollins, London 1991. First edition – this copy inscribed by the author on the title page and with her decorative red stamp. 8vo. 524pp. Illustrated with various photographs, one map and a family tree and chronology. Cloth a little rubbed at spine ends. A very good copy in virtually fine price-clipped dust wrapper. The author’s celebrated second book: a biography of three generations of Chinese women in 20th century – her grandmother, mother, and herself. Multi-award-winning but perhaps unsurprisingly, banned in mainland China. £95

BRUCE CHATWIN. On the Black Hill. Jonathan Cape, London 1982. First edition – this copy inscribed by the author on the title page: “For John with best wishes Bruce 9 Nov 83” and with a former owner name (John Cupper, presumably the recipient of Chatwin’s inscription) inked to the head of the front free endpaper. 8vo. 248pp. A tiny sliver of discolouration to the board edges, else a fine copy in fine dust wrapper. Chatwin's third book, winner of the James Tait Black Memorial Prize and, bafflingly, the Whitbread First Novel Award (the judges were presumably unaware of his novel The Viceroy of Ouidah which was published two years previously). Really quite uncommon with the author’s signature. £350

A.E.COPPARD. Crotty Shinkwin. A Tale of the Strange Adventure that Befell a Butcher of County Clare [and] The Beauty Spot. A Tale Concerning the Chilterns. Two stories, with engravings by Robert Gibbings. The Golden Cockerel Press, Berkshire 1932. First edition, limited to 500 numbered copies (this being #309). This copy additionally signed by the author on the front free endpaper, beneath a lengthy quotation from Joyce’s Ulysses, and dated the year of publication. Above this a second hand has inked a few biographical details about the author. Small 4to. 68pp. Quarter blue-green morocco with decorated cloth sides. Top edge gilt, others untrimmed. With a title page decoration and seven splendid Gibbings engravings. Morocco quite darkened at the backstrip, and with a little minor chafing to spine ends, and the corner tips a little rubbed. A very good copy. No dust wrapper called for. Neat former owner name plate to the front pastedown. Uncommon – and more so with the author’s signature. £250

A.E.COPPARD. Pink Furniture. A Tale for Lovely Children with Nobel Natures.  Jonathan Cape, London 1930. The deluxe issue of the first edition, limited to 250 specially bound and numbered copies, signed by the author (this being #107). 8vo. 251pp. Full white vellum, lettered in gold at spine. Top edge gilt, others untrimmed. With twenty-five full-page captioned drawings by Nancy Bankart Gurney. Vellum just a little marked in places, and board edges lifting a little. Some fox spotting to preliminary and concluding text leaves. A very good copy, lacking the dust wrapper. £50

MALCOLM COWLEY. Exile’s Return. A Literary Odyssey of the 1920’s. With an introduction by Leon Edel and illustrated with contemporary photographs. The Limited Editions Club, New York 1981. First edition thus, one of 2,000 numbered copies (this being #1813) signed by both the author and the photographer Berenice Abbott. Tall 8vo. 281pp. Cloth-backed decorated paper-covered boards. Illustrated with twelve full-page photogravures by Abbott, Man Ray, André Kertész, Alvin Coburn and Walker Evans. A fine copy in slipcase, lacking the original unprinted glassine protector, but with a fresh sheet supplied. The first signed limited edition of Cowley’s celebrated lyrical memoir of the Lost Generation (first published in 1934, and here including the author’s prologue and epilogue which he wrote for the revised edition of 1951). £75

ROBERTSON DAVIES. The Cunning Man. Viking, London 1995. First UK edition – this copy signed by the author on the title page. Large 8vo. 469pp. Tip of one corner bumped and with a minor slant to the binding. Boards fractionally marked in one or two places, yet a lovely bright copy internally, housed in slightly edge worn, marked and creased dust wrapper. The author’s final novel and, his publisher maintains, the second volume of his incomplete ‘Toronto trilogy’, part one of which was Murther and Walking Spirits. The magnificent Davies sadly died in the December of the year this UK edition was published. £25

ROGER DEAKIN. Waterlog. A Swimmer’s Journey Through Britain. With illustrations by David Holmes. Chatto & Windus, London 1999. First edition – this copy signed by the author on the half-title and dated the year of publication, and additionally inscribed beneath “For Alan and Diane with thanks and warmest wishes, Wells [next-the-Sea], 3rd October 2000”. The recipients of Deakin’s inscription are Alan Byford and his wife, co-founders of the Poetry-Next-the-Sea Festival. 8vo. 357pp. Some spotting to the top- and fore edge, and with a narrow strip of browning to two adjacent text leaves, presumably from where a bookmark was once in situ. A very good copy in virtually fine dust wrapper, very lightly chafed to the upper edge. The author’s first book, and the only one published in his lifetime, a quite wonderful account of his free swimming exploits across the UK which was in part responsible for the founding of the open water swimming movement. £250

JUNOT DÍAZ. The Brief Wondrous Life of Oscar Wao. Faber, London 2008. First UK edition – this copy signed by the author on the title page. 8vo. 339pp. Card wrappers (there was no casebound issue of either the UK or US first edition). A fine copy. The author’s second book and first novel, following his short story collection Drown (1996): the winner of multiple awards including the Pulitzer Prize. £35

NORMAN DOUGLAS. How About Europe? Some Footnotes on East and West. Privately printed by the author [Tipografia Classica, Florence] 1929. First edition, limited to 550 numbered and signed copies, this one additionally inscribed by the author on the title page and dated 1933. 8vo. 216pp. Patterned paper-covered boards with a paper spine label. Fore- and bottom edges untrimmed. Spine ends rubbed and just a touch of tanning to backstrip and spotting to endpapers. A very good copy, lacking the uncommon dust wrapper. £75

LAWRENCE DURRELL. The Alexandria Quartet. Faber, London 1962. The special edition of the first single-volume edition, limited to 500 numbered and signed copies. A short preface by Durrell details a few minor textual alterations. 8vo. 884pp. Full buckram with a black hand motif to upper board. Cloth at backstrip lightly faded, else in fine state with original unprinted protector and decorated slipcase, a little chafed at extremities. Marred only by a somewhat over bold former owner gift inscription to front endpaper. £600

LAWRENCE DURRELL. The Black Book. Faber, London 1973. First UK edition of the Durrell’s third book – this copy signed by the author on the half-title and dated the year of publication. 8vo. 243pp. A lovely crisp copy in dust wrapper, lightly chafed at extremities as is so often the case. £85

Durrell’s third book (and the second to be published under his own name) was written in 1936 and first published two years later by Obelisk Press after Durrell declined Faber’s offered to issue an expurgated edition. Issued as volume 1 in the Villa Seurat series, edited by Henry Miller, The Black Book did not receive a UK publication for a further thirty-five years. 

JULIAN FANE. Morning. A novel. John Murray, London 1956. First edition – a presentation copy, inscribed by the author on the front free endpaper and dated 1959. 8vo. 207pp. A strip of light browning to the rear free endpaper. A very good copy in slightly edgeworn pictorial dust wrapper, with some internal spotting, several short closed tears and half a dozen tiny slivers of loss from the spine ends and corner tips. The author’s first book, a much celebrated description of a small boy’s childhood “[Morning] seems to me to deserve to last for generations" – John Betjeman. £50

TIMOTHY FINDLEY. Not Wanted on the Voyage. Macmillan, London 1985. The first UK edition – this copy signed by the author on the title page and with an additional presentation inscribed: “For Matthew and Helen – who live on a boat – but not on this boat! With love Tiff. London ’95. Against Despair.” 8vo. 352pp. A touch of light tanning to leaf margins, else a fine copy in pictorial dust wrapper with a single tiny closed tear and a touch of very light spotting to the wrapper flaps. The author’s curiously uncommon magical realist re-telling of the Great Flood. (“Against Despair” in the author’s inscription paraphrases a line from his most famous novel The Wars). £40

JOHN FOWLES. Cinderella. Adapted from Perrault’s Cendrillon of 1697 by John Fowles and with delightful illustrations by Sheilah Beckett. Jonathan cape, London 1974. First edition of this Fowles translation – this copy signed by Fowles on the title-page. 4to. 32pp. In fine state with fine publisher price-clipped dust wrapper. £75

JOHN FOWLES. Daniel Martin. A novel. Jonathan Cape, London 1977. First edition – this copy signed by the author on the title page. 8vo. 704pp. A single tiny splash of staining to the top edge, else a fine copy in fine price-clipped dust wrapper. The author’s fourth novel. £50

HERB GARDNER. A Piece of the Action. A novel. Simon & Schuster, New York 1958. First edition – this copy signed by the author on the title page. 8vo. 313pp. Cloth-backed boards. Boards very lightly marked in one or two places and with a sliver of discolouration to the upper edge of the rear board. A short crease to the corner of a single text leaf. A very good copy in dust wrapper, a little soiled and spotted and with a three-inch tear to the base of the rear panel, a single short tear to the head of the front panel and several small areas of loss from the spine ends and one or two other extremities. The only novel by the noted playwright and cartoonist, a semi-autobiographical satire on the world of advertising. £150

WILLIAM GOLDING. Pincher Martin. Faber, London 1956. First edition – this copy signed by the author by way of a bookplate pasted to the front free endpaper. 8vo. 208pp. The gilt spine lettering very slightly defective and with a touch of dust soiling to the top edge, and just the ghost of an almost entirely erased former owner inscription. A very crisp copy in the Anthony Gross-designed double-spread pictorial dust wrapper, a little nicked at spine ends with several tiny fractions of loss. Small dealer plate to the front pastedown, obscured by the wrapper flap. The author’s third novel – an existential classic. £300

WILLIAM GOLDING. A Moving Target. Faber, London 1982. First edition – this copy inscribed by the author on the first blank leaf. 8vo. In fine state with fine price-clipped dust wrapper. Golding’s second collection of short non-fiction, and the last book be published before being awarded the Nobel Prize for Literature in 1983. Copies of this text bearing Golding’s signature are really quite uncommon. £150

WILLIAM GOLDING. Fire Down Below. Faber, London 1989. First edition – this copy signed by the author on the half-title. 8vo. 313pp. A little tanning to paperstock and a tiny trace of spotting to top edge. A very good copy in dust wrapper, just a little rubbed at the head of the spine panel. The third and final volume of the author’s To the Ends of the Earth trilogy, preceded by the Booker Prize-winning Rites of Passage (1980) and Close Quarters (1987). £65

ALAN HARRINGTON. The Revelations of Dr. Modesto. A novel. Alfred A.Knopf, New York 1955. First edition – a presentation copy, lengthily inscribed by the author: “To Milt Kerr. One of the nicest guys I’ve ever met, thanks so much for helping support this ‘savage and cynical’ book. Please remember that the writer has become a bit easier to get along with, partly because of his association with you. Alan”. 8vo. 256pp. Spine ends just a little rubbed. A selection of relevant newspaper clippings has been pasted to the front pastedowns and flyleaves, these now somewhat browned in places from the paste. Some off-set browning to two adjacent text leaves from where another clipping was once stored. A very good copy in dust wrapper, a little dust marked and edge worn with some loss to the spine ends and corner tips, and a lengthy crease of the spine panel. The author’s first book, a satirical take on 1950s American conformity. Harrington was a friend of Jack Kerouac and appeared in On the Road, as ‘Hal Hingham’ – also the name of the protagonist of this novel. £175

VIOLET HUDSON. Jean-Louis Curtis. The Silken Ladder. Translated by Violet Hudson & E.B.Behrens. Secker & Warburg, London 1957. First English edition. 8vo. Tips of two corners slightly bumped. A bright copy in slightly rubbed and marked dust wrapper. Inscribed by the translator to Mavis Eurich and with a covering typedletter, signed: "I thought you would find 'The Silken Ladder' interesting. I found it remarkable and some of it very original. There are many beautiful and true passages and, indeed, the book is strewn with them. it was frightfully difficult to translate". £25

ALDOUS HUXLEY. The Olive Tree and Other Essays. Chatto & Windus, London 1936. The deluxe issue of the first edition, limited to 160 numbered copies signed by the author (this being #159). 8vo. 303pp. Buckram with bevelled edges and a gilt top edge. Backstrip lightly faded and with a small splash of staining to the upper board. Very good indeed, internally in fine state. £175

KAZUO ISHIGURO contributes his stories A Strange and Sometimes Sadness, Waiting for J and Getting Poisoned to the anthology Introduction 7. Stories by New Writers. Faber, London 1981. First edition. This copy signed by Kazuo Ishiguro on the leaf preceding his three contributions. 8vo. 255pp. A trace of very light spotting to the top edge and just a little minor bruising to the backstrip ends. A single tiny ink-stroke to the front free endpaper. A virtually fine copy in virtually fine dust wrapper, marred only by a touch of minor corresponding chafing to the spine panel ends. The author’s first bookform appearance, this publication preceding his first novel by a year. Most uncommon, and highly desirable with his signature. £750

KAZUO ISHIGURO. An Artist of the Floating World. A novel. Faber, London 1986. First edition, second state (the Richard Clay printing, which was preceded by the Tanner & Butler printing). This copy inscribed by the author on the title page and dated the year of publication. 8vo. 206pp. A touch of the usual tanning to the leaf margins, else a fine copy in virtually fine dust wrapper, very lightly rubbed at the head of the spine panel and with three tiny indentations corresponding to the rear gutter. The author’s second novel, winner of the Whitbread Book of the Year Award and shortlisted for the Booker Prize. £125

KAZUO ISHIGURO. The Remains of the Day. Faber, London 1989. First edition of the author's Booker Prize-winning third novel - this copy signed by the author on the title page. 8vo. 245pp. The merest hint of near-invisible spotting to the top edge, and a hint of bruising to the head of the spine. A virtually fine copy in fine first state dust wrapper. A super copy of the Nobel Prize laureates' great novel, and increasingly uncommon with his signature. £550

KAZUO ISHIGURO. The Unconsoled. A novel. Faber, London 1995. First edition – this copy signed by the author on the title page. 8vo. 535pp. In fine state with virtually fine dust wrapper, marred only by the merest hint of light dust soiling. The author's fourth novel, somewhat rubbished upon publication but subsequently revaluated (a 2006 poll of various literary critics voted it the third "best British, Irish, or Commonwealth novel from 1980 to 2005" tying with Rushdie's Midnight Children and McEwan's Atonement amongst others). £75

KAZUO ISHIGURO. When We Were Orphans. A novel. Faber, London 2000. First edition – this copy signed by the author on the title page. 8vo. 313pp. A trace of very light marking to the fore edges of the upper and lower boards, else a fine copy in virtually fine dust wrapper, marred only by a little internal soiling. The author’s fifth novel. £75

KAZUO ISHIGURO. Early Japanese Stories. With illustrations by Eileen Hogan. Belmont Press, London 2000. First edition, one of 150 special copies (from a total edition of 250) signed by both the author and artist and with an additional colour print initialled by the artist, housed in a rear pocket. 8vo. 74pp. Leather-backed decorated paper-covered boards. With a colour frontispiece, four full-page colour paintings and three half-page colour paintings by Eileen Hogan. In fine state bar the additional colour print, which exhibits a single tiny crease to the tip of one corner. No dust wrapper or slipcase called for. An eight-page introduction by the author precedes three early short stories set in Japan, two of them written between 1979-80 when Ishiguro was studying at Creative Writing at the University of East Anglia, and one a little later in 1982 just after the publication of his first novel. The first story, A Strange and Sometimes Sadness, was originally published in the literary magazine Bananas in June 1980; the second story, A Family Supper, appeared in the journal Quarto sometime the same year; and the third story, The Summer After the War, was originally printed in Granta, spring 1982. Illustrated four-page pre-publication prospectus laid-in. £500

KAZUO ISHIGURO. Never Let Me Go. A novel. Faber, London 2005. The deluxe issue of the first edition, limited to 1,000 numbered copies, signed by the author (this being #696). 8vo. 263pp. A fine copy in fine dust wrapper and cloth covered slipcase with an inset paper panel reproducing a compressed version of the dust wrapper design. The author’s sixth novel. £250

KAZUO ISHIGURO. Nocturnes. Five stories of Music and Nightfall. Faber, London 2009. First edition – this copy signed by the author on the title page. 8vo. 221pp. An indentation to the base of the upper board, and another to the fore edge. A virtually fine copy in virtually fine dust wrapper, marred only by a hint of internal soiling. The author’s first and so far only collection of short fiction. £65

P.D.JAMES. Shroud for a Nightingale. An Adam Dalgliesh mystery. Faber, London 1971. First edition – this copy signed by the author on the title page. 8vo. 296pp. A trace of very light spotting to the top edge, a little soiling to the fore edge and just a hint of light partial browning to the front free endpaper. Very good indeed in dust wrapper, rubbed and chafed at the spine ends and at one or two other extremities, and with just a touch of dust soiling to the rear panel. The fourth Adam Dalgliesh mystery. £500

P.D.JAMES. An Unsuitable Job for a Woman. A Cordelia Gray mystery. Faber, London 1972. First edition - this copy signed by the author on the title page. 8vo. 216pp. A speckling to spotting to the top edge and a small rust mark, probably from a now absent paperclip, to the head of the front free endpaper. A lovely bright copy in dust wrapper, rubbed at the spine ends and corner tips with several tiny fractions of loss. The author's sixth novel, and the first of her two Cordelia Gray mysteries. £150

P.D.JAMES. The Black Tower. An Adam Dalgliesh mystery. Faber, London 1975. First edition – this copy signed by the author on the title page. 8vo. 271pp. A fine copy in very lightly chafed and rubbed pictorial dust wrapper. The fifth Adam Dalgliesh novel. £135

OSBERT LANCASTER. Homes Sweet Homes. With thirty-four predominantly full-page drawings by the author. John Murray, London 1939. First edition of Lancashire's fourth book. This copy signed by the author on the title page. 4to. 79pp. Decorated endpapers. Top edge dust soiled and lightly spotted and with a very minor slant to the binding. A very good copy in somewhat torn and nicked dust wrapper with two quite small areas of loss.  Also supplied with a copy of the dust wrapper from the sixth impression, in considerably better state and identical but for a re-design of the front flap. £95

OSBERT LANCASTER. All Done From Memory. A memoir. With illustrations by the author. John Murray, London 1953. The correct first edition, one of just forty-five numbered copies, signed by the author (this being #43). 8vo. 199pp. Cream buckram with marbled paper sides. With a colour frontispiece, seven full-page drawings and various illustrations and vignettes in the text. Just a touch of very minor wear to one or two corner tips and a trace of near invisible partial browning and spotting to the free endpapers. A virtually fine copy. No dust wrapper called-for. The first volume of the author’s memoirs. Not issued as a trade edition until 1963. £300

OSBERT LANCASTER. With an Eye to the Future. With illustrations by the author. John Murray, London 1967. The deluxe issue of the first edition, limited to 100 numbered copies signed by the author and with an additional laid-in illustration (this being #90). 8vo. 156pp. Buckram-backed marbled paper-covered boards. Top edge gilt, others untrimmed. With a colour frontispiece, a title page decoration and various full-page drawings and further line drawings in the text. The backstrip just fractionally darkened else in fine state. Some leaves uncut. No dust wrapper called for but housed in the original decorated stiff card slipcase, very lightly rubbed at one or two extremities. Five stories. £225

OSBERT LANCASTER. Sailing to Byzantium. An Architectural Companion. With illustrations by the author. John Murray, London 1969. The deluxe issue of the first edition, limited to fifty numbered copies, signed by the author (this being #32). Buckram-backed marbled paper boards, lettered in gold at the spine and with a gold-stamped vignette to the upper board. Top edge gilt. With eight full-page colour plates, a title page decoration and many line drawings in the text. The merest hint of soiling to the buckram, else in fine state. No dust wrapper called-for, but housed in the original marbled stiff card slipcase, which is just a fraction rubbed at one or two extremities. A companion to the Byzantine architecture of the Eastern Meditarranean. £225

JOE R.LANSDALE. Act of Love. Kinnell Publications, London 1989. The first UK and first casebound edition of the author’s debut novel (originally published in the US in 1981, but not appearing in hardback format until this British edition). This copy inscribed by the author on the title page and with a hand-written card laid-in. 8vo. 301pp. A hint of tanning to paperstock, else in fine state with fine dust wrapper. £50

JOE R.LANSDALE. By Bizarre Hands. Stories. With an introduction by Lewis Shiner and illustrations by Mark A.Nelson. Mark V.Ziesing, California 1989. The first trade edition of the author’s first collection of short fiction – this copy boldly inscribed by the author on the half-title and with a signed type written letter from the author laid-in. 8vo. 246pp. With decorated endpapers, a title page design and nine plates. A fine copy in virtually fine dust wrapper, very lightly rubbed at the head of the spine panel. Sixteen stories, mostly reproduced from the pages of assorted pulp anthologies and magazines, with two hitherto unprinted and one appearing in its entirety here for the first time. £50

JOHN LE CARRÉ. The Clandestine Muse. The G.Harry Prouder Memorial Lecture delivered by John Le Carré at Johns Hopkins University on May 20, 1986. Charles Seluzicki Fine Books, Portland 1986. First edition – limited to 250 signed copies specially bound and printed at the Janus Press, Vermont for Charles Seluzicki Fine Books, Portland, Oregon. Unpaginated. Sewn into stiff-paper wrappers with handsome integral marbled paper dust wrapper. In fine state. £225

LAURIE LEE. The Firstborn. The Hogarth Press, London 1964. First edition – this copy inscribed by the author on the front endpaper: “To Margot [Walmslay] with love from Laurie, Cathy @ Jesse”. Slim 8vo. Five pages of text accompanied by five full-page photographs taken by the author. The top edge lightly spotted, and with a little further spotting to the front free endpaper, and a pinprick or two of further spotting to occasional lower margins.  A very good copy in lightly chafed, marked and spotted dust wrapper. The recipient of Lee’s inscription was Margot Walmsley, the managing editor of the Encounter. Lee made a number of contributions to the periodical throughout the 1950s and 1960s and was no doubt an occasional attendee of her celebrated Kensington literary salon. Originally written for publication in the Evening Standard, this brief yet charming celebration of his daughter Jessie (“she was born in the autumn, and was a late fall in my life”) is not without controversy, neglecting as it does his first daughter Yasmin born out of wedlock twenty-four years previously. (Yasmin herself was extremely understanding about it, writing later “I might have felt different if my mother had lived with Laurie and I’d known him on a personal basis as Jessy did. I think Laurie had an extremely conventional idea of honour and propriety. He was married now, and this was their firstborn. His relationship with my mother was something quite other”). £95

LAURIE LEE. Two Women. A Book of Words and Pictures. Andre Deutsch, London 1983. The suppressed first issue of the first edition, which was subsequently recalled and pulped due to the inclusion of a double-spread nude photograph of Lee’s wife. This copy signed by the author on the title-page. Illustrated endpapers. Lavishly illustrated with nearly eighty photographs by the author, many in colour, full-page or double-spread, of his wife and daughter Jessie, accompanied by a charming text detailing his experiences of marriage and fatherhood. A light crease to the tip of the front endpaper, else a fine copy in fractionally edge-worn dust wrapper. £80

MARIO VARGAS LLOSA. In Praise of the Stepmother. Translated from the Spanish of Elogio de la Madrastra by Helen Lane. Faber, London 1991. First UK edition. This copy signed by the author on the half-title with his customary initialled scrawl. 8vo. 149pp. Illustrated with six colour reproductions of works by Francis Bacon, François Boucher, Jacob Jordaens &c. In fine state with dust wrapper, lightly rubbed and creased at some extremities and with a little surface scoring to the rear panel. An erotic novel from the Peruvian Nobel laureate. £35

DAVID LODGE.  How Far Can You Go? A novel. Secker & Warburg, London 1980.  First edition – this copy inscribed by the author on the front free endpaper, and dated the year of publication. 8vo. 243pp. A virtually fine copy in virtually fine dust wrapper.  The author’s sixth novel, winner of the Whitbread Book of the Year, and a Burgess Ninety-Nine.  £250

COLUM MCCANN. Transatlantic. Bloomsbury, London 2013. First edition – this copy signed by the author on the title page. 8vo. 298pp. A fine copy in fine dust wrapper. The author’s sixth novel. £35

JOHN MCGAHERN. The Barracks. A novel. Faber, London 1963. First edition – this copy signed by the author on the title page. 8vo. 232pp. Edges lightly spotted and with a hint of bruising to the spine ends. Very good indeed in very good dust wrapper, with a little rubbing to the spine ends and a hint of dust soiling to the rear panel. The author’s uncommon first novel, winner of the AE Memorial Award and especially desirable with his signature. £750

JOHN MCGAHERN. That They May Face the Rising Sun. A novel. Faber, London 2002. First edition – this copy signed by the author on the title page. 8vo. 298pp. In fine state with fine dust wrapper. The author’s sixth and final novel. £95

HILARY MANTEL. The Giant, O’Brien. A novel. Fourth Estate, London 1998. First edition – this copy signed by the author on the title page. 8vo. 211ppIn fine state with fine semi-translucent dust wrapper. The author eighth novel, a fictionalized account of Irish giant Charles Byrne and Scottish surgeon John Hunter. £55

JOHN MASEFIELD. Salt-Water Ballads. Grant Richards, London 1902. First edition of the author’s first book – this copy inscribed on the front free endpaper: “From John Masefield, with his good wishes Dec 23 1902”. Laid in is a hand written card from Masefield written in 1931 to one R.L.Foster, returning an offered photograph as impractical for an illustration for a forthcoming book. A copy of the photograph concerned is also enclosed, as is a newspaper clipping showing Masefield’s original plea for material for his book on H.M.S.Conway. Ownership details of the recipient of Masefield’s card neatly inked to the front free endpaper. 8vo. 112pp. Original publisher’s blue buckram, now considerably faded, lettered in gold at spine. Top edge gilt, others untrimmed. Spine ends lightly rubbed and with a small indentation to the backstrip and fore edges, suggesting the placement of an elastic band. A touch of spotting to preliminary and concluding leaves. A nice crisp copy of an uncommon book of which 500 copies were printed. Simmons 1. £650

STANLEY MIDDLETON. Holiday. Oak Tree Press, ‘First Chapter’ series, Fyfield 2007. First edition thus. One of 185 copies (out of a total edition of 350 copies) printed on Maxi Silk paper, signed by the author and with a specially written foreword. 42pp. Teal cloth with paper title labels. Includes a delightful watercolour by the author.  Two or three very light marks to cloth, else in fine state save for the faint ghost of somewhat overbold former dealer pencilled notations to flyleaf. No dust wrapper, as issued. A handsomely designed signed reissue of the first chapter of Middleton’s Booker Prize winner novel (he shared the prize in 1974 with Nadime Gordimer). £65

ADRIAN MITCHELL. The Bodyguard. Jonathan Cape, London 1970. First edition – a presentation copy, inscribed by the author: “For John [Conroy] with love and many thanks for Teddy in Woman Overboard. Hoping to work with you again next year! Adrian. Peace 1988” and closing with his familiar elephant drawing. (The inscription relates to John Conroy’s performance as Theodore Custer in Mitchell’s 1988 version of Lope de Vega’s play Woman Overboard). 8vo. 187pp. Publisher’s vibrant maroon stain to top edge. A fine copy in fine price-clipped dust wrapper designed by Ken Sprague. The author’s fourth book and second novel, a dystopian black comedy set in the 1980s (and still strikingly relevant). £30

BRIAN MOORE. Judith Hearne. A novel. Andre Deutsch, London 1955. First edition of the author’s first serious book (leaving aside four thrillers, two of which were published pseudonymously). This copy inscribed by the author on the title page “for John” and signed beneath the author’s printed name. 8vo. 223pp. Top edge dust soiled and with a very minor slant to the binding. Small areas of light staining to four text leaves. A nearly very good copy, remaining really quite crisp and bright, and housed in the original pictorial dust wrapper, somewhat dust soiled and darkened, with a two-inch area of loss from the base of the spine panel, and some further smaller slivers from the head of the spine panel and from the corner tips and with several internally repairs short jagged tears. Quite a bright, fresh copy in a somewhat handled and damaged example of the dust wrapper, but still desirable with the author’s signature. £200

JOHN MORTIMER. Like Men Betrayed. Collins, London 1953. First edition – this copy signed by the author on the title page. Some spotting to preliminary leaves, top- and fore-edge, occasionally encroaching to extremities of leaf margins. Tiny scuff to tip of front endpaper. A very nice, bright copy in like dust wrapper, lightly spotted at rear panel, flaps and internally. The author’s fourth book. £35

J.B.MORTON (i.e. ‘Beachcomber’). 1933 and Still Going Wrong! With drawings by Nicholas Bentley. Eyre & Spottiswoode, London 1932. First edition – the dedication copy, inscribed on the front free endpaper: “To my darling Mary with all my heart from John”. 4to. 84pp. Some light fox-spotting to half a dozen preliminary and concluding leaves and evidence of a little damp soiling to the rear board. A bright if slightly dusty copy in tanned and spotted dust wrapper, chipped at the spine ends with a little loss and with some minor corresponding signs of damp to the rear panel. A selection of twenty-two satirical poems (Straight-Bat Barrington, The Debasing Influence of a Good Child, Gratuitous Advice to a Lady Who is Kind to Cats, etc.), with a printed dedication To My Wife. Morton met and married Mary O’Leary, an Irish doctor, in 1927. They lived happily together until Mary’s death in 1974, a fact Morton never fully adjusted to, believing in his confusion that she was still alive and even insisting on addressing all of the ladies in his eventual nursing home as ‘Mary’. £450

PATRICK O’BRIAN. The Commodore. An Aubrey-Maturin novel. HarperCollins, London 1994. First edition – this copy signed by the author on the title page. 8vo. 282pp. Some quite light tanning to the leaf margins – a result of the slightly substandard paperstock - and two small areas of light miscellaneous staining to the head of a single text leaf. A very good copy in very good price-clipped dust wrapper, with just a trace of wear to the head of the spine panel and a single light shallow score. The seventeenth volume of the author’s highly acclaimed Aubrey-Maturin series. O’Brian was always reticent to sign his books, and volumes of this series which include his signature are really quite fugitive. £250

PATRICK O’BRIAN. The Hundred Days. An Aubrey-Maturin novel. HarperCollins, London 1998. First edition – this copy signed by the author on the title page. 8vo. 281pp. Several tiny areas of very light staining to the top edge. A virtually fine copy in fine dust wrapper. The penultimate (published) volume of the author’s celebrated Aubrey-Maturin series, this one handsomely enhanced by the author’s signature. £300

PATRICK O’BRIAN. Blue at the Mizzen. An Aubrey-Maturin novel. HarperCollins, London 1999. First edition – this copy signed by the author on the title page. 8vo. 262pp. Two tiny areas of very light staining to the top edge. A virtually fine copy in fine dust wrapper with the publisher’s promotional sticker to the front panel. The final (published) volume of the author’s celebrated Aubrey-Maturin series, this one handsomely enhanced by the author’s signature. £300

JOYCE CAROL OATES. Beasts. Orion, London 2003. The first UK edition (originally published in the US in previous year). This copy signed by the author on the title page. 8vo. 138pp. A fine copy in fine dust wrapper. A novella set in a New England college town in the 1970s. £25

JOYCE CAROL OATES. Rape. A Love Story. Atlantic Books, London 2005. The first UK edition (originally published in the US in 2003). This copy signed by the author on the title page. 8vo. 1648pp. A fine copy in fine dust wrapper. £25

ORHAN PAMUK. My Name is Red. Translated from the Turkish of Benim Adım Kırmızı by Erdağ M.Göknar. Faber, London 2001. The English edition – preceding the US edition. This copy signed by the author on the title page. Card wrappers (never issued in the UK in casebound format). A fine unread copy in fine dust wrapper. The author’s sixth novel, but the fourth to be published in English. The winner of multiple awards, the book established Pamuk’s international reputation and contributed to his selection as Nobel laureate five years later. £200

ORHAN PAMUK. Other Colours. Essays and a Story. Translated from the Turkish of Öteki Renkler by Maureen Freely. Faber, London 2007. First UK edition – this copy signed by the author on the title page. 8vo. 433pp. A fine copy in fine dust wrapper. The author’s first collection of non-fiction: a three-page preface precedes a selection of over seventy essays, plus the short story My Father’s Suitcase. £35

ANN PATCHETT. The Patron Saint of Liars. A novel. Houghton Mifflin Company, Boston and New York 1992. First edition. A presentation copy, inscribed by the author on the title page: “To my cousins Paul and Lucy. All best wishes, Ann Patchett 5/92”. 8vo. 336pp. Cloth-backed paper-covered boards. A touch of very light spotting to the edges, else a fine copy in fine dust wrapper. A super presentation copy of the author’s first book. £200

SALMAN RUSHDIE. The Ground Beneath her Feet. A novel. Jonathan Cape, London 1999. First edition – this copy signed by the author on the half-title and dated the year of publication. 8vo. 575pp. A fine copy in fine dust wrapper. The author’s sixth novel, a variation on the Orpheus/Eurydice myth set in a fictional world parallel with our own, and reintroducing a number of characters and settings from his previous novels £25

SALMAN RUSHDIE. Joseph Anton. A Memoir. Jonathan Cape, London 2012. First edition – this copy signed by the author on the title page. Large 8vo. 636pp. A fine copy in fine dust wrapper. An account of the author’s nine-year period in-hiding under the assumed name ‘Joseph Anton’ (from Conrad and Chekhov). £35

SACHEVERELL SITWELL. Agamemnon’s Tomb. A poem. The Tragara Press, Edinburgh 1972. The first separate edition (this poem originally appeared in the 1933 sequence Canons of Giant Art). One of a deluxe issue of 85 signed copies printed on Batchelor hand-made paper (out of a total edition of 265). Fifteen unpaginated leaves of printed text, sewn into plain card wrappers with a handsome decorated dust wrapper. Wrappers lightly browned and with a little additional browning and miscellaneous marking to endpapers. Corners a little creased. A very good copy in very good dust wrapper. £35

DONNA TARTT. The Little Friend. A novel. Bloomsbury, London 2002. The deluxe issue of the first English edition, limited to 350 number copies, signed by the author (this being #204). 8vo. 555pp. Quarter-leather with orange paper-covered sides featuring a blind-stamped decoration. All edges stained orange. Ribbon place marker. In fine state with virtually fine cloth-covered slipcase. No dust wrapper called for. The author’s second novel. £125

PAUL THEROUX. Waldo. A novel. The Bodley Head, London 1968 First UK edition of Theroux's debut novel (which was preceded by the US edition). This copy signed by the author on the title page. 8vo. 208pp. A tiny smattering of foxing to the top edge and a single tiny blemish to the front free endpaper. Near fine in Yvonne Skargon-designed dust wrapper, fractionally marked and with a single lengthy closed tear to the front panel. £150

PAUL THEROUX. London Snow. A Christmas Story. With wood engravings by John Lawrence. Michael Russell, Salisbury 1979. First edition, limited to 450 numbered copies signed by both the author and artist. Slim 8vo. 50pp. Decorated cloth. With a handsome wood engraved frontispiece, a title page decoration, and five header pieces by Lawrence. In fine state. No dust wrapper called for, but housed in the original unprinted tissue protector, this last very slightly defective. Apparently the first of any of Theroux’s books to be published in a signed limited edition. £75

COLM TÓIBÍN. The South. Serpent’s Tail, London 1990. The correct first edition of the Tóibín’s first novel, issued as a paperback original. This copy signed by the author on the title page. 8vo. 238pp. Card wrappers with French flaps. A small area of surface abrasion to the head of the spine, else in fine state. £60

COLM TÓIBÍN. The Blackwater Lightship. Picador, London 1999. First edition – this copy signed by the author on the title page. 8vo. 273pp. A touch of bruising to spine ends, else in fine state with virtually fine dust wrapper, lightly chafed at the head of the spine panel. The author’s fourth novel, shortlisted for The Booker Prize. £50

COLM TÓIBÍN. Mothers and Sons. Picador, London 2006. First edition – this copy signed by the author on the title page. 8vo. 309pp. Nine stories, the author’s first collection of short fiction. £35

COLM TÓIBÍN. The Empty Family. Stories. Viking, London 2010. First edition – this copy signed by the author on the title page. 8vo. 214pp. A fine copy in fine dust wrapper. Nine short stories, the author’s second collection of short fiction. £35

WILLIAM TREVOR. Mrs Eckdorf in O Neill's Hotel. The Bodley Head, London 1969. First edition - this copy signed by the author on the title page. 8vo. 304pp. Spine ends and corner tips lightly rubbed, and with a single tiny indentation to the head of the upper board. A touch of light uneven browning to the endpapers and pastedowns. A very crisp copy in price-clipped dust wrapper, with some minor dust soiling, a small splash of staining, and some rubbing and fraying to the spine ends and corner tips. The wrapper in internally reinforced with masking tape. Inkstamp of literary agency R.Harben to the front free endpaper. The author's fifth novel, and his first Booker Prize-shortlisted effort. Supplied together with an uncorrected proof copy of the first edition, in the publisher’s yellow card wrappers. The edges and the fore edge margin of two or three preliminary leaves lightly spotted. Very good. £250

ALAN WALL. A to Z. A novella. Colophon Press, London 1997. First edition, one of a limited issue of 50 casebound signed and numbered copies with a holograph quotation from the text (out of a total edition of 206 copies). With two handsome vignettes by Philip Byrne. In fine state with original unprinted acetate protector. £25

COLIN WILSON. Religion and the Rebel. Victor Gollancz, London 1957. First edition of Wilson’s second book – this copy boldly inscribed by the author on the front endpaper and dated 1976. 333pp. Top edge dust marked. Quite a crisp and bright copy in slightly dusty dust wrapper, lightly tanned at spine panel and a little chipped at head of spine with several tiny slivers of loss. Small label partially removed from front wrapper flap. £50

R.D.WINGFIELD. Frost at Christmas. Constable, London 1989. First UK edition of Wingfield’s first book – this copy signed by the author on the title page. 8vo. 284pp. The merest trace of tanning to leaf margins and a short crease to one corner of the rear free endpaper. In virtually fine state with fine dust wrapper. The first of the author’s Inspector Frost mysteries, originally written in 1972 at the prompting of Macmillan (and spurred on by a non-refundable advance of £50), the manuscript was promptly rejected, before eventually being published in Canada in 1984. This UK edition followed some five years later and the Yorkshire Television adoptions staring David Jason appeared soon after. £350