Clearwater Books

CONRAD AIKEN. The Soldier. A poem. Editions Poetry, London 1946. First UK edition (originally published in the US two years previously), this copy inscribed by the author on the front endpaper and dated the year of publication. Slim 8vo. 40pp. Spine ends very lightly rubbed, endpapers a little spotted and printed on slightly sub-standard war-time paper-stock, yet still a very crisp and bright copy in tanned dust wrapper, a little chafed at extremities and with a single short closed tear and a minor accompanying crease. £50

KINGSLEY AMIS. Bright November. Poems. The Fortune Press, London [1964]. The second, unauthorised edition of the author’s uncommon first book. 32pp. A tiny hint of wear to head of spine and upper board lifting just a fraction. Corner of front endpaper clipped, presumably to remove a former owner name. A lovely crisp copy, internally flawless bar the aforementioned clipping. Housed in thin paper dust wrapper with the 12’6 price sticker to front flap. Wrapper tanned at spine panel, a little chaffed at rear flap joint, with some light sunning to some extremities and two areas of loss from spine panel. Thirty-one poems. £200

“The renown of the author prompted Caton to produce this second edition, but his omission to inform [Amis] of the existence or to benefit him from its sales must be construed as being rather more than forgetful-ness” – Timothy d’Arch Smith, R.A. Caton and the Fortune Press.

KINGSLEY AMIS. The Evans Country. Poems. Fantasy Press, Oxford 1962. Stapled card wrappers. Wrappers lightly sunned and with a tiny smattering of foxing. Neat former owner name inked to title page. A good bright copy. Six poems, all of which appeared previously in The Spectator but are collected here for the first time. £35

SIMON ARMITAGE. Five Eleven Ninety Nine. A Poem for the Millenium. With drawings by Toni Goffe. Clarion Publishing, Holybourne 1995. First edition, number 269 of 349 copies (out of a total edition of 499) signed by the author, illustrator and publisher. Tall 8vo. Twenty-eight unpaginated leaves sewn into card wrappers. A fine copy. £75

W.H.AUDEN. Epistle to a Godson and other poems. Faber, London 1972. First edition. Slim 8vo. 72pp. In fine state with fine price-clipped dust wrapper. Thirty-three poems. £12

GEORGE BARKER. A Vision of Beasts and Gods. Faber, London 1954. First Edition. 62pp. A smattering of foxing to preliminary leaves, else an extremely crisp and bright copy in virtually fine dust wrapper. Poetry Book Society Bulletin laid-in. Nineteen poems. £15

GEORGE BARKER. Collected Poems 1930-1955. Faber, London 1957. First edition – this copy inscribed by the author on the title page. 8vo. 245pp. Some fairly light spotting to top- and fore edge else a fine copy in dust wrapper, very lightly chafed at head and base of spine panel. Eight-six poems, selected and arranged by Barker, plus an index of first lines. £35

FRANCIS BERRY. Ghosts of Greenland. Poems. Routledge & Kegan Paul, London 1966. First edition. Tips of two corners lightly bumped else in fine state with price-clipped dust wrapper, just fractionally faded at spine panel. Twenty-two poems, including the 28-page verse play Illness and Ghosts at the West Settlement, an account of the Viking colonisation of Greenland commissioned by the BBC and broadcast on the Third Programme in 1965. £35

FRANCIS BERRY. Collected Poems. With a foreword by Philip Hobsbaum. Redcliffe, Bristol 1994. First edition – this copy inscribed by the author on a blank flyleaf, and dated 1998. 8vo. 439pp. A fine copy in fine dust wrapper. Over 140 poems gathered from the author’s collections: Snake in the Moon, The Iron Christ, Fall of a Tower, Murdock and Other Poems, Gospel of Fire, Grindleford, Morant Bay, Ghosts of Greenland, Australia, From the Red Fort and Africa and Beyond, plus nine new poems, all hitherto unprinted in bookform, and an index of first lines. £75

JOHN BETJEMAN contributes his poem The Song of a Cold World to the anthology Public School Verse. An Anthology 1924-1925 – Betjeman’s first appearance in book-form. Heinemann, London 1925. First edition. 40pp. Paper-covered boards with paper spine label. Boards lightly tanned, a little marked at rear and with a little tight wear to head and foot of spine. Spine label rubbed and partially illegible. With a light smattering of foxing throughout and a single tiny ink mark to title page. A good copy, no dust wrapper. A presentation copy from E.O.Pearson (who contributes four poems). There is a neat name and date of the recipient (E.G.Pearson Sept 9. 1925) to the front endpaper, along with an additional amusing poem by Pearson which has been pasted in ("I'm sending you a triolet because the book was not in store: To show you that I don't forget I'm sending you a triolet. It's on the way, but not here yet [They say it takes three days or more]. I'm sending you a triolet because the book was not in store"). £100

JOHN BETJEMAN. St. Mary-Le-Strand. A broadsheet poem. Privately printed from Betjeman’s Radnor Walk address [1981]. A single A4 sheet containing Betjeman’s twenty-line poem, with a small unaccredited drawing of the church and with the author’s facsimile signature at the base. The merest hint of edge creasing, else in fine state. An uncommon late J.B. broadsheet poem, produced in an unspecified limited edition to raise funds for the restoration of the church. All copies have this identical facsimile of the author’s late-life signature. £75

JOHN BETJEMAN. A Garland for the Laureate. Poems presented to Sir John Betjeman on his 75^th birthday. The Calendine Press, Stratford-upon-Avon 1981. First edition – one of seventy-five numbered copies, out of a total edition of 350 (there were a further seventy-five casebound copies signed by the contributors). Unpaginated. 4to. Buckram-backed marbled boards. Edges untrimmed. With a handsome title page decoration by Miriam Macgregor. A sliver of discolouration and a small area of quite discreet staining to base of upper board, else a fine copy of a very handsome production, but lacking the slipcase. Former owner name inked to a blank preliminary. Twenty-two poems, all bar two previously unprinted, including contributions from Kingsley Amis, Leonard Clark, Charles Causley, Roy Fuller, Ted Hughes, Philip Larkin, Norman Nicholson, Alan Ross, Sacheverell Sitwell, Stephen Spender, R.S.Thomas, Anthony Thwaite, John Wain, Laurence Whistler and others. £200

“The project was kept a secret from J.B. and the book was presented to him by Roger Pringle as a surprise one morning, with many of the poets involved also present, having arrived at his Radnor Walk house in a fleet of taxis, accompanied by bottles of champagne and smoked salmon sandwiches” – from a letter from the publisher to Candida Lycett Green. 

ROBERT BLOOMFIELD. Poems. With thirteen illustrations by T.S.Cooper, J.C.Horsley &c., engraved by Thurston Thompson. Van Voorst, London 1845. The first edition of this selection. Newly and attractively rebound in cloth-backed marbled boards, with printed spine-label (and a spare at rear). Very good. £40

WILFRID SCAWEN BLUNT (under the pseudonym ‘Proteus’). Sonnets and Songs. John Murray, London 1875. First edition (never reprinted). Small 8vo. 112pp. Yellow pebbled cloth, a little marked, handled and soiled, lettered and ruled in gold at upper board and with a small gilt vignette of the sun. Blind rule to rear board. Some spotting to endpapers and, lightly, to occasional text leaves. Binding just a little tender in places. A nice bright copy. With the bookplates of noted bibliophile and bibliographic scholar Simon Novel-Smith and his Judith Adams. Fifty-one poems. Extremely uncommon. £200

WILLIAM BRONK. Careless Love and Its Apostrophes. Poems. Red Ozier Press, New York 1985. First edition, limited to 175 numbered copies, this being one of just forty casebound copies (#22), signed by the author in pencil at the foot of the colophon. 8vo. Unpaginated. Printed on Johannot mouldmade paper with hand-lettering by Anita Karl and bound into decorated paper-covered cloth designed by Claire Maziarczyk and with a paper spine label. A fine copy of a most handsome production, housed in the original unprinted acetate protector. Thirty-one poems. Uncommon. £150

WILLIAM BRONK. Living Instead. Poems. North Point Press, San Francisco 1991. First edition – this copy signed by the author on the title page and with an additional presentation inscription to Christopher Whelen. Slim 8vo. 98pp. A fine copy in very good dust wrapper, lightly chafed at the head of the spine panel. Laid-in is a copy of the University at Buffalo Christmas Broadside for December 1984 (second series, no. 6), featuring a poem by Bronk accompanied by a Eugene Canadé illustration. £50

GEORGE MACKAY BROWN. Poems. New and Selected. The Hogarth Press, London 1971. First edition. 8vo. 96pp. A tiny hint of spotting to top edge, else a fine copy in very slightly rubbed, creased and dust soiled dust wrapper. This copy from the library of poet and critic Jeremy Hooker, with his name neatly inked to the front free endpaper. Fifty poems, thirty-six of them reprinted from his two previous collections, Loaves and Fishes (1959) and The Year of the Whale (1965), and with sixteen new poems (some of which were originally printed in various periodical and anthologies). £25

GEORGE MACKAY BROWN. Fishermen with Ploughs. A Poem Cycle. The Hogarth Press, London 1971. First edition. 8vo. 100pp. A touch of spotting to fore edge and two small holes to the rear board impacting about a dozen leaves as well as the rear panel of the dust wrapper. A very crisp copy in very slightly chafed and marked dust wrapper. This copy from the library of poet and critic Jeremy Hooker, with his name neatly inked to the front free endpaper. The author’s third full-length collection of original verse. £25

GEORGE MACKAY BROWN. The Wreck of the Archangel. Poems. John Murray, London 1989. First edition. 8vo. 116pp. A fine copy in dust wrapper, the spine panel lettering lightly faded, else fine. Sixty-eight poems, most appearing in bookform here for the first time, with a few reprinted from the uncommon limited editions Stone and The Scottish Bestiary. £15

GEORGE MACKAY BROWN. Water. A five-part poem by Mackay Brown accompanied with a painting and a drawing by György Gordon. North and South, Middlesex 1996. First trade edition (published simultaneously with a limited edition of twenty-six signed copies). 8vo. 15pp. Stapled card wrappers. Fine bar a narrow strip of discolouration to wrappers. Uncommon. £35

NORMAN CAMERON. The Collected Poems of Norman Cameron 1905-1953. With a lengthy introduction by Robert Graves. Hogarth Press 1957. First edition. Paper-covered boards, a little bumped in places and endpapers lightly and partially browned. A bright copy in fractionally faded dust wrapper with a single miniscule nick. Fifty-seven poems. £25

ROY CAMPBELL. Collected Poems. The Bodley Head, London 1949. First edition – a presentation copy inscribed by Campbell to the publisher Michael Legat “…with thanks for the production”. 8vo. 297pp. A trace of spotting to top- and fore edge, else in fine state with lightly tanned and marked dust wrapper, rubbed and a little chipped at head of spine panel. Over 150 poems, the author’s complete published verse save items “not actually under revision”. £95

CHARLES CAUSLEY. Johnny Alleluia. Poems. Hart-Davis, London 1961. First Edition. 61pp. Pictorial paper-covered boards. In fine state with very good double-spread pictorial dust wrapper, lightly marked at rear panel. Thirty-two poems, Causley's fourth collection of verse. £10

AUSTIN CLARKE. The Sword of the West. Poems. Mansel & Roberts 1921. The first edition of his third book. Cloth-backed boards, a little stained, faded and rubbed. Spine-label chipped. Fly- leaves quite browned. Clipping pasted to half-title. £75

LEONARD CLARK. Selected Poems 1940-1957. Hutchinson, London 1958. First edition – this copy inscribed by the author on the front endpaper. 8vo. 107pp. Decorated paper-covered cloth. Top edge spotted else in fine state with dust wrapper, lightly chafed at head and base of spine panel. Seventy poems, a number here revised, and including twelve hitherto unprinted in bookform. £25

WENDY COPE. Family Values. Poems. Faber, London 2011. First edition – this copy signed by the author on the title page. Slim 8vo. 66pp. A fine copy in fine dust wrapper. Fifty-six poems, the author’s fourth regularly published adult collection. £25

A.E.COPPARD. The Collected Poems of A.E.Coppard. Jonathan Cape, London 1928. First edition. 8vo. 109pp. Endpapers lightly spotted and darkened at margins. A very good copy in dust wrapper, very lightly rubbed at spine ends. Sixty-five poems, collected from the author’s two previous collections Hips and Haws (1922) and Pelagae (1926), and including a number hitherto unprinted. £25

“Possibly this is the smallest volume of Collected Poems ever issued … if all Collected Poems could be got into as slim a compass it would not take the reader very long to know the worst about them” – from the author’s preface. 

HERBERT CORBY. Hampdens Going Over. Editions Poetry London 1945. First edition - this copy inscribed by the author: "To Olive, with best wishes. May 1946". 77pp. Patterned boards, slightly chafed at extremities. A very nice copy in chipped and repaired dust wrapper. Corby's first book. £45

HERBERT CORBY. Time in a Blue Prison. Fortune Press, London [1947]. First edition – a presentation copy from the author: "To my good friend and fellow poet, Arnold Vincent Bowen, with best wishes Herbert Corby, June 1947". Slim 8vo. 64pp. Boards a little rubbed at some extremities.  A hint of sporadic spotting, else a very bright copy in quite striking price-clipped dust wrapper, a little marked and tanned. Seventy-three World War Two poems. £50

FRANCES CORNFORD. Autumn Midnight. The Poetry Bookshop, London 1923. First edition. 8vo. 23pp. Card wrappers. With a frontispiece wood-engraving, wood-engraved initials and tailpieces, as well as cover decoration and colophon device by Eric Gill. Printed on hand-made paper by St. Dominic’s Press, Ditchling. Wrappers tanned, soiled and lightly creased, with a three-inch tear to the rear wrapper at natural fold, which has undergone some restoration but remains tender. Internally, a lovely bright copy. Seventeen poems. £100

MORRIS COX. The Whirligig and other poems. With a handsome unaccredited dust wrapper design by the author. Routledge & Kegan Paul, London 1954. First edition of the author’s first book – the only one to be issued by a regular trade publisher. 8vo. 88pp. A small unobtrusive Times library inkstamp to the rear pastedown, and a former owner bookplate to the front pastedown, alongside the faint ghost of a former dealer’s pencilled pricing. A nice, crisp copy in the handsome pictorial dust wrapper, chipped with some notable loss to the spine ends and a fraction more to tips of corners. Fifty-seven poems from the founder of the Gogmagog Press. £95

KEVIN CROSSLEY-HOLLAND. East Anglian Poems. With illustrations by James Dodds. Jardine Press, Suffolk 1988. First edition - limited to just 100 numbered copies on handmade paper, signed by both poet and artist, this being the very first number. Slim 4to. Full leather. With title-page and colophon decorations and twelve superb woodcuts, one colour-tinted, plus another on the rear endpapers. A hint of occasional chafing to leather else in fine state with original rexine slipcase. Small former owner name label to front pastedown. Sixteen poems, the fifth book published by Dodds' Jardine Press. Really quite scarce. £125

C.DAY-LEWIS (writing as Cecil Day-Lewis) contributes his poems Dream Maker, Sanctuary, Once in Arcady and A Forest Piece to the anthology Ten Singers. Fortune & Merriman, London 1925. First edition. Demy 8vo. 24pp. Hand-set, printed on handmade paper and bound into card wrappers. Wrappers a little dusty, nicked and chipped at yapped edges and with several small areas of staining, but a lovely crisp copy internally. A small label noting the printing and pricing details (perhaps once part of a wraparound band) has been pasted to the inner wrapper, resulting in a small rectangle of offsetting to the adjacent free endpaper. Embossed ‘Presentation Copy’ stamp. A very good copy, some leaves uncut. Although dated 1925 this anthology was in fact issued in October 1924 thereby constituting Day Lewis’ first bookform appearance. Handley-Taylor & D’Arch Smith B1. £40

C.DAY-LEWIS. Beechen Vigil and Other Poems. The Fortune Press, London  [1925]. First Edition of the author’s first book. 8vo. 31pp. Card wrappers with paper title label. Wrappers a little chipped and tanned, with yapped edges nicked. A light scattering of spotting to endpapers. Internally in extremely crisp state. Twenty-four poems printed on handmade paper, Day-Lewis’ first published collection (although he had contributed earlier in the year to Ten Singers, also published by The Fortune Press, under its first name of Fortune & Merriman). £150

C.DAY-LEWIS. Country Comets. Martin Hopkinson, London 1928. First edition of the author’s second collection of verse. 8vo. 35pp. Green paper-covered boards with spine and title labels. A hint of tanning to spine and a little spotting to occasional margins throughout. Former owner name and date neatly inked to front endpaper. A very good copy. No dust wrapper, as issued, but lacking the original unprinted tissue protector. Twenty-three poems. £20

C.DAY-LEWIS. The Graveyard by the Sea. Translated by Day-Lewis from the French of Paul Valéry’s Le Cimetière Marin. Secker & Warburg, London 1947. First edition of this translation, limited to 500 numbered and signed copies (this being #72). Demy 8vo. 26pp bound in grey-blue handsome marbled paper wrappers with a paper title label to the upper wrapper. A very good copy. French and English texts en face. Handley-Taylor & d’Arch Smith, B15. £125

C.DAY-LEWIS. Selected Poems. Harper & Row, New York 1967. First American edition (there was no equivalent UK edition). This copy inscribed by the author: “J.R. / With all good wishes / Cecil”. The recipient of the inscription was Bishop John Robinson, author and scholar, noted amongst other things for his testimony at the Lady Chatterley’s Lover censorship trail (a book which “every Christian should read”). 8vo. 160pp. Decorated paper-covered boards. Top-edge, endpapers and half-title light spotted. A lovely crisp copy in dust wrapper, lightly rubbed at head of spine panel and with a single short closed tear. A foreword by the author (“Casting back over my verse of the last forty years is an uncomfortable experience”) precedes sixty-one poems. A ticket for Day-Lewis’ 1972 St-Martin-in-the-Fields Memorial Service laid-in. £50

WALTER DE LA MARE. The Veil and other poems. Holt, New York 1922. First American edition. 84pp. Attractive ornate gilt-pictorial cloth. A very bright copy. Handsome former owner bookplate to front pastedown. Fifty-three poems. £20

KEITH DOUGLAS. The Complete Poems of Keith Douglas. Edited by Desmond Graham. Oxford University Press 1978. The first edition of this definitive collection of Douglas' verse, drawing on newly available manuscript material. 8vo. 145pp. A tiny hint of spotting to edges and browning to endpapers. Very good indeed in very slightly marked dust wrapper. Over one hundred poems – all that are known to survive (bar a few juvenile pieces) and including three hitherto unpublished or collected. £50

CAROL ANN DUFFY. Rapture. Picador, London 2005. Second impression – this copy inscribed by the author on the title page. Slim 8vo. 62pp. Decorated paper covered boards. In virtually fine state. Fifty-two poems. £35

DOUGLAS DUNN. The Happier Life. Poems. Faber, London 1972. First Edition of the author’s second collection. A tiny trace of spotting to top edge, else in fine state with dust wrapper, fractionally tanned at spine panel. Thirty-nine poems. £15

LAWRENCE DURRELL. A Private Country. Poems. Faber 1943. First Edition. Cloth a little spotted and backstrip lightly sunned but internally in super state. With chipped dust wrapper, split into two parts and with several areas of loss. Durrell’s first major collection of verse, twenty-nine poems. £25

LAWRENCE DURRELL. Cities Plains and People. Poems. Faber, London 1946. First edition. 72pp. Covers triflingly spotted here and there. A very bright copy in slightly nicked, rubbed and faded dust wrapper. Neat name of former owner inked to front endpaper. Twenty-seven poems, Durrell's fifth collection. £30

LAWRENCE DURRELL. On Seeming to Presume. Poems. Faber, London 1948. First edition of the author’s third collection of verse. Slim 8vo. 59pp. Two or three tiny instances of spotting to top edge and to several preliminary, else a fine copy in very slightly rubbed and darkened dust wrapper. Twenty-three poems, one dedicated to Henry Miller and George Katsimbalis, and another to Paddy [Fermor] and Xan [Fielding]. £20

T.S.ELIOT. Poems 1909-1925. Faber & Gwyer, London 1925. First edition. Crown 8vo. 98pp. Smooth-weave cloth with tanned and a little chipped paper spine label. A little uneven fading to board edges, and spine ends a little rubbed. Free endpapers a little browned. Signs of quite careful plate removal from front pastedown and with a small area of surface abrasion to the title page verso where, presumably, a second label was removed. A trace of very occasional isolated spotting to upper margins of several text leaves. A lovely, crisp copy, lacking the uncommon dust wrapper. Twenty-six poems, including Prufrock and The Hollow Men, yet particularly notable as the first printing of The Waste Land to include the Ezra Pound dedication ‘il miglior fabbro’ (‘the better craftsman’). £150

PADRAIC FALLON. Collected Poems. Edited with an afterword and notes by Brian Fallon, and with an introduction by Seamus Heaney. Carcanet Press, Manchester and The Gallery Press,County Meath 1990. First edition – the uncommon casebound issue, published simultaneously with a card wrapper issue. 8vo. 280pp. A tiny hint of soiling to top- and fore edge, else a fine copy in dust wrapper, the publisher’s red spine panel colouring lightly faded. This copy from the library of Lilliput Press founder Anthony Farrell, with his bookplate to the front pastedown. Laid-in is an invitation to The Gallery Press launch event (with readings by Heaney) and also a postcard to Farrell from Irish poet, critic and musician Fred Johnston. Over 170 poems and translations, including a number of hitherto unprinted early poems and radio play lyrics. £30

ROY FISHER. Collected Poems 1968. Fulcrum Press, London 1969. First edition – a presentation copy inscribed by the author to fellow poet Jeremy Hooker: “To Jeremy, signed with an older hand than wrote it. Roy 8.ii.89”. Slim 8vo. 79pp. Cloth very lightly dust marked and top edge spotted. A very good copy in dust wrapper, a little chafed, nicked and dust marked. Thirty-nine poems (Jeremy Hooker’s neat pencilled notes can be found at the margins of nine of them). £30

ROBERT FROST. Selected Poems. William Heinemann, London 1923. First UK edition of this selection. 8vo. 132pp. Navy blue cloth with paper spine label. Top edge lightly dust soiled and with some browning to the endpapers. A very good copy, housed in the uncommon dust wrapper, exhibiting an inch of loss from the head of the spine panel and a further sliver from the head of the rear panel, and with some tanning, most especially to the spine panel. Forty-three poems, dedicated to Helen Thomas in memory of Edward Thomas. £150

ROBERT FROST. Selected Poems. William Heinemann, London 1923. First UK edition of this selection. Blue cloth with tanned and a little chipped paper spine label. Cloth a little marked and chafed at extremities, with some browning to the endpapers and a very light scattering of spotting to half-title and title page. A nice, bright copy without the scarce dust wrapper. Forty-three poems, dedicated to Helen Thomas in memory of Edward Thomas. £40

ROBERT FROST. Selected Poems. With twenty-five pages of introductory essays by W.H.Auden, C.Day Lewis, Paul Engle and Edwin Muir. Jonathan Cape, London 1936. First edition of this uncommon selection of sixty-two poems selected by the author. 8vo. 221pp. A trace of light wear and discolouration to cloth at spine ends and a little spotting to fore edge and, very occasionally, to text leaves. A very good copy in dust wrapper, tanned at spine panel with a little light spotting and some notable loss to spine ends. A small portrait of Frost, clipped from a newspaper, has been pasted to the front endpaper, where it remains partially obscured by the wrapper flap. £95

ROY FULLER. Poems. The Fortune Press, London [1940]. First edition – this copy inscribed by the author at the head of the front free endpaper and dated the year of publication. 8vo. 39pp. Boards lightly marked in places where adhesive from the dust wrapper protector has become adhered. A light scattering of fox spotting to endpapers and half-title. Several leaves uncut. A very good copy in dust wrapper, a little tanned at spine panel with several tiny slivers of loss to spine ends and corner tips. Twenty-nine poems, the author’s first book. £125

ROBERT GARIOCH. Chuckies on the Cairn. Poems in Scots and English. The Chalmer Press, Hayes 1949. First edition of the author’s second book, preceded only by Seventeen Poems for Sixpence (1940) which he penned jointly with Sorley MacLean. 8vo. 15pp. Stapled card wrappers, lightly creased, soiled and discoloured, with some light wear to the yapped edges. Occasional light soiling to leaf margins. Quite a nice, crisp copy of an uncommon item. Eight poems. £35

W.S.GRAHAM. The White Threshold. Poems. Faber, London 1949. First edition of the author’s uncommon fourth collection of verse. Slim 8vo. 70pp. Top edge very lightly dust marked and with a small area of spotting to the front pastedown and endpaper. Very good indeed in dust wrapper, a little darkened to several edges and with a touch of spotting to the rear panel and a centimetre or so of loss to the head of the spine panel and one or two other tiny fractions of loss to extremities. Publisher’s compliments slip laid-in stating “With Compliments of the author” (the first two words printed, the final three typed). Thirty-one poems. 1,200 copies were printed. £200

W.S.GRAHAM. Malcolm Mooney's Land. Poems. Faber, London 1970. First edition. Slim 8vo. 64pp. A strip of light partial browning to the free endpapers and a small area of surface abrasion to the final text leaf. A very good copy in very good dust wrapper, the spine panel just fractionally faded and with a touch of light dust soiling and a small area of staining to the rear panel. Nineteen poems, the author's sixth collection of verse (and his first publication following the fifteen year silence which followed his collection The Nightfishing). £40

W.S.GRAHAM. Implements in Their Places. Poems. Faber, London 1977. First edition – a presentation copy, inscribed by the author on the front free endpaper: “For Vera Leslie, Fear evening my boot says. The chair sees iceward in the bitter hour so visible to Death, W.S.Graham 10-4-78”. Slim 8vo. 85pp. Card wrappers (never issued in casebound format). The merest hint of chafing to wrappers at one or two edges. A virtually fine copy. Twenty-six poems, the author’s seventh collection of verse. Graham’s inscription is a quotation from his poem Here Next the Chair I Was When Winter Went, which was included in his debut collection, Cage Without Grievance (1942). The recipient of his inscription is probably the same Vera Leslie whose translation of Kafka’s The Country Doctor first appeared in the short-lived periodical Counterpoint (1945-46), to which Graham also contributed early poems. £250

ROBERT GRAVES. Country Sentiment. Poems. Martin Secker, London 1920. First Edition. ‘Cobble-stone’ decorated paper-covered boards with paper spine label. A strip of light partial browned in endpapers and some spotting throughout. Tiny dealer plate to front pastedown. A nice bright copy in the uncommon dust wrapper,  slightly dust marked and tanned and chipped at spine panel. Graves’ fifth book, forty-six poems, dedicated to his wife Nancy Nicholson. 1,000 copies were printed. £125

ROBERT GRAVES. Poems 1953. Cassell, London 1953. First edition. Foot of spine slightly bumped. A very bright copy in dust wrapper. £25

PHILIP GROSS. The Ice Factory. Poems. Faber, London 1984. First edition – this copy signed by the author on the title page. 8vo. 62pp. Card wrappers (never issued in casebound format). In fine state. Forty poems, the author’s first collection of verse (Gross’ 2009 collection The Water Table would go on to win the T.S.Eliot prize). £25

THOM GUNN. [Poems]. The Fantasy Poets Number Sixteen. Oxford University Poetry Society 1953. First edition of the author’s first book, consisting of the following poems: Incident on a Journey, Wind in the Street, The Wound, The Beach Head, The Right Possessor and A Village Edmund. Stapled wrappers, a little marked with a small tear to the base of the natural fold. Staples rusted. Quite a nice, bright copy. Edited by Donald Hall and Oscar Mellor, this is the sixteenth issue of this influential series "designed to feature the work of young poets in England today". In total thirty-five issues were eventually published between 1952-1962. £95

THOM GUNN. Fighting Terms. Poems. Fantasy Press, Oxford 1954. First Edition, second issue (incorporating a single minor textual correction to the poem Tamer and Hawk). 44pp. Cloth a little marked and handled. Endpapers really quite browned, yet otherwise an extremely fresh copy internally. Twenty-five poems, the author’s first substantial book. The first and second states comprised only 305 copies. No dust wrapper, as issued. £150

THOM GUNN. The Sense of Movement. Poems. Faber, London 1957. First edition. Slim 8vo. 62pp. Some spotting and browning to endpapers. A very crisp copy of the author’s second collection of verse, of which 1,000 copies were printed. Housed in tanned and spotted dust wrapper with several small areas of loss from spine ends and tips of several corners. Thirty-two poems. £50

H.D. [Hilda Doolittle]. Hymen. Poems. The Egoist Press, London 1921. First Edition of the author’s scarce second collection of verse. Printed at the Pelican Press. 46pp. Decorated paper-covered stiff card wrappers with paper title label, lettered and ornately bordered in blue. Chipped at head and base of spine with a large portion of the backstrip absent, but the binding itself still perfectly sound. The paper covering is a little chipped at several extremities with several repaired tears. Neat former owner name inked to first leaf alongside the ghost of a partially erased pencilled note. Twenty-three poems, dedicated to her lover Bryher and her daughter Perdita. £95

MICHAEL HAMBURGER. Collected Poems 1941-1994. Anvil Press Poetry, London 1995. First edition. 8vo. 475pp. A fine copy in dust wrapper. Over three-hundred and twenty poems, including over seventy which do not appear in the author’s Collected Poems 1941-1983. £20

TONY HARRISON. The Loiners. Poems. London Magazine Editions, London 1970. First edition of the author’s first regularly published book (preceded only by the pamphlets Earthworks and Newcastle is Peru, the latter reproduced here). This copy signed by the author on the title page and dated three years after publication, and additionally inscribed (to fellow poet Jeremy Hooker and his wife). 8vo. 96pp. A virtually fine copy in dust wrapper, lightly rubbed at several extremities. Twenty-two poems. £125

SEAMUS HEANEY. Door into the Dark. Poems. Faber, London 1969. First edition. Slim 8vo. 56pp. Just a trace of discolouration to the upper board, and a production fault crease to the tip of one text leaf. A virtually fine copy in dust wrapper, lightly toned and chafed at one or two extremities with a single tiny nick but no loss. Publisher’s review slip lain-in. Thirty-four poems, the author's second collection of verse. Brandes & Durkan A5. £300

SEAMUS HEANEY. Sweeney Astray. A version from the Irish. Field Day Theatre Company, Derry 1983. First edition – the casebound issue. This copy signed by the author on the title page. 8vo. 77pp. Illustrated with several decorations by Colin Middleton. Some fairly light spotting to top edge and several preliminary and concluding leaves. A very good copy in virtually fine dust wrapper. Heaney’s version of Buile Suibhne, the classic of medieval Irish literature. 1,000 copies were printed (plus a further 3,000 in wrappers). Brandes & Durkan A34a. £350 

SEAMUS HEANEY. The Spirit Level. Poems. Faber, London 1996. First edition. Slim 8vo. 70pp. A light scattering of spotting to endpapers and several preliminary leaves. Very good indeed in fine dust wrapper. Thirty-five poems, the author’s ninth major collection of verse. £35

GEOFFREY HILL. King Log. Poems. Andre Deutsch, London 1968. First edition of the author’s second book. 8vo. 70pp. Top edge lightly dust marked and with just a trace of tanning to paperstock and a strip of light browning to title page. Very good in lightly chafed dust wrapper, with some quite light tanning and staining to spine panel. Eighteen poems including a revised version of In Memory of Jane Fraser (“I dislike the poem very much and the publication of this amended version may be regarded as a necessary penitential exercise” - note) plus a short essay. £70

GEOFFREY HILL. Tenebrae. Poems. Andre Deutsch, London 1978. First edition. Slim 8vo. 48pp. A tiny scattering of spotting to the top edge, else a fine copy in very good dust wrapper, marred only by a little discolouration to the margins of the rear panel.  Ten poems, the author’s fifth major collection. £20

RALPH HODGSON. The Last Blackbird and Other Lines. George Allen, London 1907. First edition, first issue. Slim 8vo. 95pp. Russet cloth lettered in gold at spine and upper board. Top edge gilt (as required for this first issue), others rough-trimmed. A little light wear to spine ends and corner tips, and just a touch of browning to endpapers. Very good. Contemporary former owner gift inscription inked to the head of the front free endpaper. Twenty-six poems, the author’s uncommon first collection of verse. £50

RALPH HODGSON. The Skylark and other poems. Macmillan, London 1959. The first trade edition, following a limited edition of 350 copies printed at the Curwen Press and published a year earlier. 8vo. 85pp. Contemporary former owner name and date inked to the front free endpaper, else a fine copy in very good dust wrapper, lightly rubbed at the head of the spine panel. Thirty-two poems: the author’s complete verse output since the publication of his collection Poems 1917, plus an index of first lines. £10

RALPH HODGSON. Collected Poems. Macmillan, London 1961. First edition. 8vo. 185pp. Portrait frontispiece. Top edge dust marked and with a tiny sliver of spotting to the free endpapers. A very good copy in dust soiled, chafed and a little rubbed price-clipped dust wrapper. Eight-five poems reproduced from his collections The Last Blackbird and Other Lines (1907), Poems (1917) and The Skylark and Other Poems (1958), plus an index of first lines. £15

MICHAEL HOFMANN. Acrimony. Poems. Faber, London 1986. First edition – this copy signed by the author on the title page. 8vo. 79pp. Some tanning to lesser-quality paperstock, else a fine copy in fine dust wrapper. Forty-four poems, the author’s second collection of verse, for which he was awarded the Geoffrey Faber Memorial Prize. £35

ALDOUS HUXLEY. The Defeat of Youth and Other Poems. Blackwell ‘Initiates Series’, Oxford 1918. First edition. Patterned card wrappers, a little rubbed at some extremities. Title-hinge tender. An attractive copy. £75

THOMAS KINSELLA. Her Vertical Smile. Poems. Peppercanister, Dublin 1985. First edition, limited to 350 copies (out of a total edition of 425), this one signed by the author on the title page. 25pp. Card wrappers with French flaps. A virtually fine copy. A two-part verse sequence, issued as Peppercanister #10 (published simultaneously with Kinsella’s Songs of the Psyche which appeared as Peppercanister #9). £50

PHILIP LARKIN. The North Ship. Poems. The Fortune Press, London 1945. First edition of the author’s first book, this being in un-noted binding variant in grey cloth, lettered in gold at spine. Printed on Glastonbury watermarked paper by S.C.Jennings & Sons Ltd. Slim 8vo. 36pp. A touch of wear to two or three extremities. Some production fault creasing to two text leaves. A very good copy. No dust wrapper. Bloomfield (2002) notes: “White laid paper watermarked: ‘I Batchelor & Sons Ltd | HAND MADE’. Copies are also found with paper watermarked: ‘[crown] | Glastonbury’ and with mixtures of both. This is due to the owner of The Fortune Press habitually buying end runs of paper stock for his printers”.  Printed in an edition likely not exceeding 500 copies. Thirty-one poems. Bloomfield (2002) A1. £500

PHILIP LARKIN. The Less Deceived. Poems. The Marvell Press, East Yorkshire [1956]. The second edition (and first paperback issue) of Larkins’s third collection of verse, reset and corrected. 43pp. Sewn card wrappers, a little rubbed and chaffed at yapped edges. A nice bright copy in dust wrapper, faded at spine panel and a little rubbed and nicked at spine ends. Twenty-nine poems. 1,320 copies were printed. Bloomfield A6. £75

PHILIP LARKIN.  High Windows.  Poems. Faber, London 1974.  First edition. Slim 8vo. 42pp. Just a touch of speckling to the top edge. Very good indeed in very good dust wrapper, marred by a little internal spotting and some creasing to the natural folds. Former owner details neatly inked to the front pastedown, partially obscured by the wrapper flap. Twenty-four poems, the author’s final collection of verse, issued just before his death. £75

PHILIP LARKIN. Aubade / Frühmorgenlied. Translated into German by Richard Glabotki and with seven illustrations by Maximilian Perna. Literarisches Bureau Christ & Fez, Stuttgart 2012. First Edition Thus, limited to 111 numbered copies each signed by the artist. 24pp. Card wrappers. A fine, unread copy of an elegant production. The fourth translation into German of Larkin’s final major poem, but the first to be issued as a separate edition. Text in German and English. £35

LAURIE LEE. The Sun my Monument. The Hogarth Press, ‘The New Hogarth Library’ series, London 1944. First edition. Slim 8vo. 48pp. Paper-covered boards. Binding a little cocked. A very good copy, which although printed on slightly sub-standard wartime economy paperstock remains particularly crisp and fresh. Housed in a slightly tanned and dust soiled dust wrapper, with several tiny slivers of edge loss. Contemporary former owner details neatly inked to the head of the front free endpaper. A very crisp good only copy of the author’s first book – a slim volume of thirty-eight poems. £40

JOHN LEHMANN. The Reader at Night and Other Poems. Basilike, Toronto 1974. First edition, limited to 250 signed and numbered copies designed, handset and printed at the Dreadnaught Press. Small 4to. Unpaginated. Marbled paper-covered cloth with a paper spine label (and a spare tipped-in). Ghost of former owner pencil markings to front endpaper. An extremely clean and bright copy. Twelve poems. £35

ALUN LEWIS. In the Green Tree. Hitherto uncollected stories and a selection from his letters. With drawings by John Petts. Allen & Unwin, London 1948. First edition. 141pp. Endpapers lightly spotted, else a virtually fine copy in slightly dusty publisher price-clipped dust wrapper. £15

C.S.LEWIS. Dymer. A Poem. J.M.Dent, London 1950. A reprint of the author’s lengthy pseudonymous poem, originally published in 1926, and here with a new seven-page introduction by the author specially written for this re-issue. This the publisher’s file copy, with ‘file’ inkstamped to the head of the first four leaves and publication and reference details inked to the half-title. 8vo. 104pp. Publisher’s red stain to top edge. A virtually fine copy in dust wrapper, lightly chafed at the head of the spine with a single short closed tear and two further instances of ‘file’ inkstamping to the front panel. Lewis’ narrative poem originally appeared under the name ‘Clive Hamilton’. £200

HUGH MACDIARMID. Penny Wheep. Poems. William Blackwood & Sons, Edinburgh & London 1926. First edition of the author’s second book of verse, with the second state pebbled board binding. 8vo. 90pp + vi publisher’s catalogue at rear. A trace of light partial browning to endpapers and several tiny slivers of discolouration to cloth extremities. Very good indeed in dust wrapper, tanned at spine panel and extremities of front and rear panels, and a little rubbed, stained and chipped with several tiny slivers of loss. Forty-seven poems and a glossary. £50

ROGER MCGOUGH. Watchwords. Poems. Jonathan Cape, London 1969. First edition – the most uncommon casebound issue. Slim 8vo. 56pp. Marbled paper-covered cloth. Just a trace of light spotting to edges, else a fine copy in tanned and occasionally marked pictorial dust wrapper. Thirty-two poems, McGough’s first collection, really quite scarce in this casebound state (a more common paperback version was issued simultaneously). £100

ROGER MCGOUGH. After the Merrymaking. Poems. Jonathan Cape, London 1971. First edition. Slim 8vo. 71pp. A fine copy in dust wrapper, fine but for the tiniest area of chafing to head of spine panel. Forty-seven poems, the author’s second collection of verse which, like his first collection Watchwords, is extremely uncommon in this casebound format (a more common paperback version was issued simultaneously). £75

ROGER MCGOUGH. The Way Things Are. Poems. Viking, London 1999. First edition – this copy signed by the author on the front endpaper and dated the year of publication. Slim 8vo. 83pp. In fine state with fine dust wrapper.  Fifty-seven poems, all bar three appearing here in print for the first time. £25

LOUIS MACNEICE. Blind Fireworks. Poems. Victor Gollancz, London 1929. First edition, first issue of the author’s most uncommon first book, of which 1,000 copies were printed. Small 8vo. 80pp. Cream linen cloth with a white paper spine label (a second issue was bound in black cloth with a blue spine label). Cloth somewhat soiled and just a fraction rubbed at tips of corners. Several small chips to spine label. Endpapers browned but thereafter quite a nice, crisp copy internally, save for a tiny trace of very occasional spotting. Lacking the dust wrapper. A foreword by the author precedes forty-four poems. Armitage & Clark (A1) do not mention the two states, but fortunately Peter Jolliffe of Ulysses Books did. £250

LOUIS MACNEICE. The Earth Compels. Poems. Faber, London 1938. First edition of the author’s third collection of poetry. 8vo. 64pp. A small area of staining to the base of the lower board, and a strip of partial browning to endpapers. A very good copy in a little chafed, tanned and internally reinforced dust wrapper. Former owner gift inscription (dated 1942) neatly inked to the front free endpaper. Twenty-four poems. 3,640 copies were printed. Armitage & Clark A8. £40

CHARLES MADGE. Of Love, Time and Places. Selected Poems. Anvil Press Poetry, London 1994. First edition of this major retrospective collection of Madge’s published verse. 8vo. 215pp. A virtually fine copy in fractionally rubbed and soiled dust wrapper. This copy from the library of David Gascoyne, with his bookplate to the front pastedown and a friendly hand-written letter and postcard from Charles Madge laid-in (“…thank you so much for all you generously write about ‘Love, Time and Places’….I am happy to know that is how you feel these long years after….”). £50

JOHN MASEFIELD. Selected Poems. With a preface by John Betjeman. Paradine, London 1978. The deluxe issue of this selection, limited to 100 specially bound copies, signed by John Betjeman (this copy signed but not numbered). 8vo. 328pp. Half-bound leather with cloth sides. All edges gilt. In fine state. No dust wrapper called for. Issued to mark the centenary of Masefield’s birth, Betjeman’s three-page preface precedes sixty-four poems plus an index of first lines. £325

ROLAND MATHIAS. Days Enduring. Poems. Arthur H.Stockwell, Ilfracombe [1942]. First edition – this copy inscribed by the author “To Jerry [i.e. Jeremy Hooker] / Roland / 12^th November 1988”. Slim 8vo. 64pp. Paper-covered boards. A little rust marking to endpapers from the internal staples. Very good indeed in the original unprinted thin paper dust wrapper. Sixty-one poems, the author’s highly elusive first book. £75

ROLAND MATHIAS. Absalom in the Tree and other poems. Gomer Press, Llandysul 1971. First edition – this copy inscribed by the author: “For Jeremy [Hooker] / whose encouragement / and criticism I acknowledge / with deep gratitude / Roland / 14 August 1971”. Slim 8vo. 50pp.  A very good copy in dust wrapper, with a small area of rubbing to top edge and some light internal spotting. Twenty-three poems, winner of the Welsh Arts Council prize for poetry. £25

ROLAND MATHIAS. Snipe’s Castle. Poems. Gomer Press, Llandysul 1979. First edition – this copy with a lengthy presentation inscription from the author to Jeremy Hooker, dated the year of publication. Slim 8vo. 89pp. A trace of bruising to spine ends and marking to boards. Very good indeed in lightly tanned and faded dust wrapper. Thirty-one poems, winner of the Welsh Arts Council prize for poetry. £25

CHARLOTTE MEW. The Rambling Sailor. Poetry Bookshop, London 1929. First edition. 45pp. Boards, faded at edges and missing tip of head of spine. No dust wrapper. Handsome former owner bookplate to front pastedown. With a portrait frontispiece and facsimile signature. Thirty-two poems, including six early verses. £15

MARIANNE MOORE. Poems. The Egoist press, London 1921. First edition of the author’s first book. Slim 8vo. 24pp. Card wrappers with an integral decorated paper wrapper and title label. The sewn binding defective and the wrappers detached, and with a three-inch tear to the decorated covering at the natural fold. Some fox spotting throughout, mostly confined to the margins. A good copy of this collection of twenty-four poems, printed at the Pelican Press and published by H.D. and Bryher, apparently without the author’s knowledge. £350

PAUL MULDOON. Medley for Morin Khur. Poems. Enitharmon Press, London 2005. First edition, limited to 200 numbered and signed copies (175 of which were for sale). Tall 8vo. 25pp. Plain card wrappers with a handsome marbled paper dust wrapper (with exhibits a little internal off-setting from the marble design). In virtually fine state. The title poem followed by the thirteen-part sonnet sequence Horse Latitudes. £50

PAUL MULDOON. Plan B. Poems. With photographs by Norman McBeath. Enitharmon Press, London 2009. First edition. Slim 8vo. 63pp. Tip of one corner bumped, else a fine copy in fine dust wrapper. Ten poems, accompanied by twenty-eight McBeath photographs. £15

CLERE PARSONS. Poems. Faber, London 1932. First edition of the author’s only book (he edited the 1928 issue of the Oxford Poetry, but died of pneumonia a year before this collection of his verse was published at the age of only twenty-three). 8vo. 31pp. Card wrappers with an integral dust wrapper. Wrappers detached and a touch of very light spotting to occasional leaves. A fairly poorly preserved copy of an uncommon item. Eighteen poems. £75

SYLVIA PLATH. Winter Trees. Faber, London 1971. First edition. Slim 8vo. 55pp. Top edge lightly spotted. A virtually fine copy in price-clipped dust wrapper, with a touch of dust soiling to the predominantly white rear panel. A brief preface by T[ed] H[ughes] precedes nineteen poems, Plath’s final collection, written during the final nine months before her death and published posthumously. £50

SYLVIA PLATH. Ariel. The Restored Edition. A Facsimile of Plath’s Manuscript, Reinstating her Original Selection and Arrangement. With a foreword by Frieda Hughes. HarperCollins, London 2004. The first edition of this restored text. 8vo. 211pp. Cloth-backed boards. Former owner ink-obscured name to the head of the front pastedown, concealed by the wrapper flap, otherwise a fine copy in just fractionally edgeworn dust wrapper. £25

WILLIAM PLOMER. Selected Poems. The Hogarth Press, ‘The New Hogarth Library’ series, vol. 1, London 1940. First Edition. 75pp. Paper-covered boards, lettered in red at spine. Former owner details neatly inked to front endpaper plus three stamped numerals. A good, bright copy in dust wrapper, tanned at spine panel and with some notable spotting. Thirty-one poems. £10

PETER PORTER. Once Bitten, Twice Bitten. Poems. Scorpion Press, Middlesex 1961. First Edition of the author’s first book. 57pp. Top edge lightly spotted and with a tiny hint of additional spotting to several preliminary leaves and a few others. A very good, bright copy in laminated dust wrapper, lightly faded at spine panel and with some spotting to rear panel and front flap. Forty-four poems. Quite scarce. £50

JOHN COWPER POWYS. Samphire. Poems. Thomas Seltzer, New York 1922. First Edition, first state issue. 12mo. 53pp. Two-tone paper covered boards featuring an interconnected six-pointed star design. Paper title labels to spine and upper board. A little light wear to head and foot of spine and a small tear to the lower rear gutter. Some chafing to board edges. Endpapers partially browned. Very good in pictorial dust wrapper, dust marked and with just a fraction of loss to the head of the spine panel. Neat former owner inked to rear panel. Twenty poems, never issued separately in the UK. £90

KATHLEEN RAINE. The Oval Portrait and Other Poems. Enitharmon Press / Hamish Hamilton, London 1977.  First edition, this copy inscribed by the author: "To Rita, of whom the original of the Oval Portrait was deeply fond, With love also from Kathleen". A fine copy in publisher-clipped dust wrapper. £45

HERBERT READ. A World Within a War. Poems. Faber, London 1944. The first edition of this selection. 50pp. Cloth unevenly tanned and very slightly bumped at some extremities. Quite a bright copy in dusty, price-clipped dust wrapper. Seventeen poems, several of which appeared previously in Faber's Sesame series publication Thirty-Five Poems. £20

HERBERT READ. Moon's Farm and Poems Mostly Elegiac. Faber, London 1955. First edition. 77pp. Top edge lightly spotted, else in virtually fine state with triflingly nicked and faded dust wrapper, with Poetry Book Society wrap-around. Twenty poems plus the title piece, a Dialogue for Three Voices written for the BBC and first broadcast in January 1951. £20

SIEGFRIED SASSOON. Vigils. Poems. Heinemann 1935. First Trade Edition, following a very limited issue a year earlier. 35pp. Buckram, faded at spine and lightly marked in one or two places. A little light spotting throughout. A very crisp and bright copy but lacking the dust wrapper. Thirty-five poems. £20

SIEGFRIED SASSOON. Rhymed Ruminations. Poems. Faber, London 1940. The first trade and first casebound edition, following a limited edition of seventy-five copies. Slim 8vo. 52pp. Cloth lightly spotted with some damp markings to top edge of upper and lower boards encroaching to pastedowns. A tiny hint of spotting to endpapers and half-title, else an extremely crisp and bright copy internally, in very slightly marked and chafed dust wrapper, with a single short closed tear and some tanning to the spine panel. Forty-two poems. £30

FRANCIS SCARFE. Inscapes. Poems. The Fortune Press, London 1940. First edition. 63pp. With a caricature portrait frontispiece. Covers just a little spotted. A bright copy in slightly nicked and chafed dust wrapper. Forty poems. £25

JO SHAPCOTT. Electroplating the Baby. Poems. Bloodaxe Books, Newcastle upon Tyne 1988. First edition of Shapcott’s first book – this copy signed by the author on the title-page. Slim 8vo. 64pp. Card wrappers (never issued in casebound format). A tiny trace of chafing to head of rear wrapper, else in fine state. Sixty-two poems, winner of the Commonwealth Poetry Prize for Best First Collection. £35

JO SHAPCOTT. Of Mutability. Poems. Faber, London 2010. First edition – this copy signed by the author on the title page. Slim 8vo. 54pp. In fine state with fine dust wrapper. Forty-five poems, the author's first collection of verse for twelve years and winner of the Costa Book Award. £50

ELIZABETH SMART. A Bonus. Polytantric Press, London 1977. First edition. 8vo. 55pp. Card wrappers. Former owner gift inscription. In fine state, with original unprinted paper wrapper. Thirty-nine poems - Smart’s first work published in book form since her celebrated debut novel By Grand Central Station I Sat Down and Wept which detailed her relationship with George Barker £10

STEPHEN SPENDER. Twenty Poems. Basil Blackwell, Oxford [1930]. First edition of the author’s second book, [printed at the Shakespeare head Press] and limited to 135 copies – this being number 8 of 75 copies signed by the author.  Slim 8vo. 23pp. card wrappers with an integral dust wrapper which serves at the title page. The covers a little marked and tanned, and the lower yapped edge slightly nicked. A very good copy. £375

STEPHEN SPENDER. I Sit at the Window. A broadsheet poem. [Linden Press, Widdington] [c.1940]. First edition of the fifth Linden Broadsheet poem, limited to 175 numbered copies, signed on the reverse by the author (this being #47). A single sheet measuring 29cm x 22cm, and featuring a handsome three-colour drawing by Honor Frost, into which Spender’s twenty-five line poem has been set. In virtually fine state. In total six Linden Broadsheets were issued, between 1939-40, all of which are now extremely uncommon. £200

STEPHEN SPENDER. The Generous Days. Faber, London 1971. First edition. Slim 8vo. 47pp. Top edge lightly spotted, else in fine state with fine dust wrapper. ‘Guido’ Morris-designed former owner bookplate to front pastedown. Forty-three poems. £10

NATHANIEL TARN. Where Babylon Ends. Poems. Cape Goliard, London 1968. First edition, one of a limited issue of 50 signed and numbered copies. Slim 8vo. Thirty leaves of unpaginated text. Paper-covered boards. With an illustrated double-spread title page, one drawing and two overlays.  Tip of one corner bumped. Very good indeed in price-clipped and fractionally edge worn dust wrapper. The author’s second collection of verse. £35

A.D.J.TESSIMOND. The Walls of Glass. Poems. Methuen, ‘The Gateway Poets’ series, London 1934. First edition of the author’s first book. Small 8vo. 39pp. Paper-covered boards with paper title label. Backstrip missing and with just a hint of very light spotting to the head of the half-title and title page. A very bright copy of a scarce book, lacking the uncommon dust wrapper. Thirty-nine poems, the first of three regularly published collections issued in the author’s lifetime. £35

D.M.THOMAS. Selected Poems. Secker & Warburg, London 1983. First Edition – this copy signed by the author on the half-title and dated the year of publication. 130pp. Largo 8vo. In fine state with dust wrapper, just lightly faded at spine panel. Fifty-three poems. £25

DYLAN THOMAS. From ‘In Memory of Anne Jones’. The Caseg Press, Llanllechid [1924]. First edition of the fifth number of the Caseg broadsheets, of which 500 copies were printed. A single sheet measuring 27.3cm x 18.5cm. Thomas’ thirty-one-line extract (from a poem originally printed in The Map of Love, with the first nine lines here omitted and with one minor textual alteration, which Rolph suggests may be a misprint), accompanied by a specially executed black and white drawing by Brenda Chamberlain. A touch of occasional superficial creasing and just a hint of fox-spotting to the extreme edges. A virtually fine copy of this Caseg broadsheet, all of which are now extremely uncommon (in total six were issued, with two more reaching the final proofing stage before financial constraints and ultimately the death of Alun Lewis brought the creative endeavour to a halt). Rolph B8. £250

DYLAN THOMAS. Twenty-Five Poems. J.M.Dent, London 1944. Third reprint of the author’s second book (originally issued in 1936). 47pp. Paper-covered boards, lightly chafed at tips of corners and tanned at spine. A hint of browning to endpapers and former owner bookplate to front pastedown. A portrait of Thomas has been neatly pasted to the blank preliminary leaf resulting in a little off-set browning to the adjacent title page. A good, bright copy albeit printed on cheap wartime paper stock. No dust wrapper. £45

DYLAN THOMAS. Collected Poems 1934-1952. J.M.Dent, London 1952. The first edition of this collection. Demy 8vo. 178pp. Portrait frontispiece of the author by Augustus John. Two small area of discolouration to the backstrip ends, where the dust wrapper is defective. Contemporary former owner gift inscription neatly inked to the front free endpaper. A very good copy in good only dust wrapper, a little dust soiled, tanned at the spine and rear panels, and with a little loss to the spine ends, and two further tiny slivers of edge loss. A name and four numerals inked to the head of the rear panel, and fine numerals (presumably page references) have been inked to the rear flap. A brief note by the author and a prologue in verse precedes eighty-nine poems, ten of them hitherto unprinted in the UK in trade bookform. Rolph B.16. £75

R.S.THOMAS. Judgement Day. A poem. The Poetry Book Society, London 1960. First edition, limited to 1,000 copies. Three pages of printed text, reproducing the author’s holograph poem, stapled into thin card wrappers featuring a two original designs by Ceri Richards, one to the upper and one to the lower wrapper. Staples rusting and with a single light superficial crease to one corner. Very good indeed. The third of a series of facsimile holograph poems published by the Poetry Book Shop, this R.S.Thomas issue preceded by Stephen Spender’s Inscriptions (1958) and Edmund Blunden’s A Hong Kong House (1959). £20

R.S.THOMAS. Tares. Poems. Rupert Hart-Davis, London 1961. First edition. 8vo. 48pp. Paper-covered boards. A fine copy in very good dust wrapper, lightly tanned, chafed and dust marked. Tiny dealer plate to front pastedown, obscured by wrapper flap. Thirty-six poems. £50

R.S.THOMAS. The Bread of Truth. Poems. Rupert Hart-Davis, London 1963. First edition. Slim 8vo. 48pp. Paper-covered boards. Top edge lightly spotted, spine ends gently bruised and with just a trace of spotting to margins of rear board. A very good copy in price-clipped and lightly fox spotted dust wrapper, tanned at spine panel and a little rubbed and chafed at top edge with just a sliver of loss to spine ends. Former owner gift inscription inked to front endpaper. Thirty-nine poems, the author’s seventh collection of verse. £30

RUTHVEN TODD. Until Now. Poems. Fortune Press, London [1942]. First edition. 51pp. Some edges of covers a little faded. Quite a bright copy in stained and slightly rubbed dust wrapper. Handsome former owner bookplate to front endpaper. Thirty-nine poems. £40

CHARLES TOMLINSON. American Scenes and other poems. Oxford University Press, London 1966. First edition. Slim 8vo. 62pp. Short creases to the corners of seven adjacent text leaves. A trace of dust marking to cloth and a number of tiny pin-pricks of spotting to occasional leaf margins, plus a single short production fault crease to the head of one leaf. A very good copy in dust wrapper, a little rubbed at top edge, lightly tanned at spine panel, and nicked with two tiny fractions of loss to the head of the spine panel. Forty-eight poems, many of which were written during the year the author spent as a visiting professor at the University of New Mexico. Relevant Poetry Book Society Bulletin laid-in, tanned and creased at several edges. £15

JOHN UPDIKE. Telephone Poles and Other Poems. Andre Deutsch 1964. First UK Edition. 83pp. A streak of partial browning to half-title and final text leaf. A very crisp and bright copy in slightly tanned dust wrapper. Dealer ink stamp to front pastedown (obscured by wrapper flap). Sixty-six poems, all previously having appeared in periodicals but hitherto unprinted in book-form. £15

JOHN WAIN. Wildtrack. A poem. Macmillan, London 1965. First edition. 50pp. Pictorial boards featuring a striking design by Victor Reinganum, repeated on the dust wrapper. A fine copy in virtually fine, price-clipped dust wrapper. £10

SYLVIA TOWNSEND WARNER. The Espalier. Poems. Lincoln MacVeagh, The Dial Press, New York 1925. The first American edition of the author's first book, printed from the UK sheets with a cancel title page. 8vo. 101pp. Handsome cloth-backed patterned boards, faded at some edges and a little bumped at tips of two corners. With a paper spine label and patterned endpapers. Back cover slightly stained. A nice, bright copy in dust wrapper, tanned at the spine panel, a little darkened at the edges with a touch of light chafing and an area of staining to the rear panel. The dust wrapper would initially appear to be a later issue, as it lists two subsequent titles from 1926 and 1927; however of few the copies in jackets that we have been able to identify, all have the same wrapper, which suggests that the publication date for this US edition was probably a year or so later than the 1925 date stated on the title page. Sixty-one poems. £50

SYLVIA TOWNSEND WARNER. Time Importuned. Poems. Chatto & Windus, London 1928. First edition. Covers slightly faded at spine and some edges and spine-label nicked. No jacket. £40

SYLVIA TOWNSEND WARNER AND VALENTINE ACKLAND. Whether a Dove or Seagull. Poems. The Viking Press, New York 1933. First edition. This copy inscribed by Valentine Ackland: “Ruth, with dearest love - Valentine 1933” and beneath this another hand has pencilled “Sylvia”, although I cannot be certain that this is the handwriting of Townsend Warner. 8vo. 153pp. Cloth-backed paper boards with slightly defective gilt lettering. A little light spotting to preliminary and concluding leaves, and occasionally throughout. A very good copy in dust wrapper: tanned, stained, chafed, nicked and chipped with a little loss, and the spine panel lettering no longer visible. One-hundred and nine poems, fifty-four of them by Warner and the remainder written by her lover and long-term partner Ackland, although all remain unaccredited (a former owner has pencilled appropriate initials against each index entry, which could be easily erased if desired). A challenging and valiant experiment in anonymity, the collection was received coldly, all but ending the poetry careers of both authors – Warner did not issue another full collection of verse in her lifetime, claiming in a letter to the publisher of her Selected Poems (1985) "I intend to be a posthumous poet!" Both US and UK editions are extremely scarce – and much more so with the presentation inscription (I have been unable to identify ‘Ruth’ – it was the name of Ackland’s mother, although it seems unlikely that she would address her so). £500

DEREK WALCOTT. Tiepolo's Hound. A poem. With twenty-six colour-plates reproducing the author’s paintings. Faber, London 2000. First edition. Small 4to. 164pp. A touch of very light wear to the spine ends. A virtually fine copy in virtually fine dust wrapper, with just a touch of corresponding wear to the spine panel ends and a short crease to the front flap. £35

VERNON WATKINS. Ballad of the Mari Lwyd and other poems. Faber, London 1941. First edition. Slim 8vo. 92pp. A trace of light partial browning to endpapers. Very good indeed in dust wrapper, tanned at spine panel (but much less so than the above copy), with a single tiny enclosed hole and with a touch of minor chafing to one or two extremities, a single tiny closed tear and a small area of taped reinforcement. Forty-two poems, the author's first book. £50

VERNON WATKINS. The Death Bell. Poems and Ballads. Faber, London 1954. First edition. Slim 8vo. 112pp. Edges and leaf margins lightly spotted. A very good copy in very good dust wrapper, lightly chafed at the head of the spine panel and with a single lone fox-spot blemish and a short tear and accompanying crease to the upper edge of the rear panel. Former owner bookplate to the front pastedown.  Twenty-one poems and eight ballads, the author’s fourth collection of verse. £20

VERNON WATKINS. Cypress and Acacia. Poems. Faber, London 1959. First edition. Slim 8vo. 102pp. A touch of spotting to the top edge, else in fine state with virtually fine price-clipped dust wrapper, very lightly faded at the spine panel. Former owner bookplate to the front pastedown. Forty-seven poems, the author’s fifth collection of verse. £20

VERNON WATKINS. The Collected Poems of Vernon Watkins. Golgonooza Press, Ipswich 1986. The first trade edition of this collection of nearly four hundred poems, which comprises the seven collections published in Watkins’ lifetime, plus his three posthumous collections. 8vo. 495pp. Very good indeed in lightly edgeworn dust wrapper, somewhat sunned at spine panel. This copy from the library of David Gascoyne, with his neat bookplate to the front pastedown. £75

DOROTHY WELLESLEY. Desert Wells. Poems. Michael Joseph, London 1946. First Edition. 55pp. A little spotting to front endpaper else a very crisp and bright copy, albeit printed on cheap quality wartime paper. In slightly marked else very good dust wrapper. Forty-two poems. £10

PETER WHIGHAM. The Blue Winged Bee: Love Poems of the VIth Dalai Lama [and] The Ingathering of Love. Anvil Press Poetry, Middlesex 1969. First trade edition. 61pp + a select bibliography. With a frontispiece portrait of the author by Gary Brown. A very nice copy in slightly faded dust wrapper, with Poetry Book Society wrap-around band. £10

ANDREW YOUNG. Speak to the Earth. Poems. Jonathan Cape, London 1939. First edition. 48pp. A hint of browning to endpapers, else in fine state with slightly dusty and rubbed dust wrapper. Forty-two poems. £15